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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                 #12/thyla12k-ta
AUSTRALIAN POETS SERIES 12
The Poetry of Timoshenko Aslanides
Selected by Coral Hull

[Above] Photo of Timoshenko Aslanides by Timoshenko Aslanides, 1998.


I Lake Te Anau, New Zealand I Good things I The Simpson Desert I The Hawkesbury River
I The Finke River I Monsoon I


Lake Te Anau, New Zealand

Sharpened on the wheel
of the white full moon,
silver blue
cuts across the midnight water.

The shaft of light
stabs me in the chest,
and I bleed into my astonished hands.
This is beautiful.

Published in The Greek Connection (Self-published, 1977).

Good things

A start is a good thing, because it can begin a search
   for what is best. And, since settlement,
there've been many 'best' opinions: some say Port Jackson
   from a yacht tacking to morning, or Sydney
from the air in an afternoon of late shadow, water
   and bridges; others the Derwent, even Hobart,
or the walk up Frenchman's Cap. Still others say a field
   of wheat, with sun and sufficient rain, or a quarry,
large, and rich in minerals, but I say it is the one
   you love because you don't then think of endings.
All else is either setting or support, which, resp-
   ectively, we hope will be near our birthplace,
and commensurate. Everybody knows this, but can
   never find the pencil needed to write it down.

Published in Australian Things (Penguin Books, 1990).

The Simpson Desert

You don't go further out and you can't be further back.
   Till now I'd never travelled the Simpson Desert,
deciding that exploration would wait till time and money,
   affording each other, allowed me this commitment.
A desert is attitude as much as environment:
   a hopeless desolation, or paradise.
I know what I found. It starts on Gibber west of Birdsville,
   with shimmering stones varnished with breakaway sunrise.
Showers breed rainbows out of dunes as intensely red
   as their need to hold direction and all horizon.
Mauve Parakeelya, yellow Daisies and Billy Button,
   among much else, carpet the swales between,
where night is furious with animals and insects:
   the opportunism of anything with life.
For Eagles ride the thermals till the sun is a blaze of gold
   and earth's blue shadow climbs the darkening sky
while zodiacal light spreads ghostly radiance
   on nights the blacker for brighter, clearer stars.

Published in AnniVersaries (Brandl & Schlesinger, 1998).

The Hawkesbury River

Travel's like love, for you know you can never have enough.
   And just as lovers believe themselves unique,
so scenery exists which convinces all who see it
   that if they could disembark and wander inland,
resplendent graceful nature would ravish every sense:
   that beauty exists which we can be first to find.
And the Hawkesbury's like that, hence this trip, this 'bridge to bridge'
   from Brooklyn in Broken Bay as far as Windsor.
I've sailed that southern history they call the Mississippi;
   admired those castles that still command the Rhine
and crossed the mighty (when ice-free) Amur: they don't compare.
   Mangroves honour the salt to Wiseman's Ferry
and sandstone overhangs of creamy-orange skirts
   to bluffs that both dictate and weather the weather,
here spilling mist through trees, there wearing the mist like a veil
   that lifts with the river flats, high-gabled barns,
and houses built by people whose rule was a Reach of the river,
   the floods and bushrangers periodic inundation.

Published in AnniVersaries (Brandl & Schlesinger, 1998).

The Finke River

If you want to glimpse the wakening of the world, and marvel how time,
   with intent and intensity, has gouged from gorges
these ages and colours in narratives of magnificence,
   then follow the Finke, the oldest river on earth.
It begins in the seasonal rains of February and March
   with the quicksilver leap of nameless little creeks
from the granite flanks and shoulders of the west MacDonnell Ranges
   to catchment fringed with mountain, and this escape.
Glen Helen and other Gorges cope; they always have,
   as weathered brutalities of ruthless beauty.
And Hermannsburg will remind you of something seen in youth:
   a watercolour in a relative's living room.
And Palm Valley, tribute and tributary to the Finke,
   is a walk of disbelief through persuasive proof
of Cycad, Palm and Tea-tree, River Red and Ghost Gum.
   I'd seen, but not connected them, before.
Now I can, like a doctor examining an X-ray
   of a backbone - for such it is - and making report.

Published in AnniVersaries (Brandl & Schlesinger, 1998).

Monsoon

Tradition says four. The aborigines say six.
   I say that two seasons - The Dry and The Wet -
divide and distinguish the year and the top end of Australia,
   for when winds forsake the east and veer northwest
to gather water and any stray disturbances
   out of the Indian Ocean, the monsoon's begun.
The most immediate feeling is that of relief, in coolness,
   for the Turkish bath which passes for spring is finished.
If you stay, you either love or long accept
   cathedral clouds with traceries of lightning;
the thunder which stops - or starts - every conversation;
   the deluge, blind and hysterical for weeks;
the stop for an hour of sunshine and smiling expanses of silver,
   steam and quick excursions for necessities.
If you go, you'll know that the time to return to Darwin,
   a city that's wilfully wasted every colour,
is when dragonflies fill the air and the green grasshoppers sing,
   for then the wet is over and drying out.

Published in AnniVersaries (Brandl & Schlesinger, 1998).

About the Poet Timoshenko Aslanides

Timoshenko Aslanides is Australian, born in Sydney on 24 December 1943. Timoshenko has worked as a full-time, professional poet since 1985. He began writing poetry after moving to Canberra in 1972. His first book of poems, The Greek Connection, 1977, won him the British Commonwealth Poetry Prize for 1978 for the best first book of poetry in English published in the British Commonwealth of Nations the previous year. His eighth book of poetry, Occasions for Words, has just been published by Wakefield Press (Adelaide). Timoshenko has been interviewed by and read his poetry on a variety of ABC and Public Radio stations throughout Australia, as well as with the BBC in London. Because all but his first two books were conceived as a whole and planned in advance, most of his work has been published in book form; he generally does not publish in literary magazines and journals. That said, he admits to having placed more than 200 poems (most of them from the first two books) in the usual range of (hard copy) Australian literary magazines, journals and major newspapers as well as overseas, in Antipodes (New York) and Metre (Trinity College, Dublin). He is married, with one son, and lives in Canberra.
   [Above] Photo of Timoshenko Aslanides by Timoshenko Aslanides, 1998.

I Next I Back I Exit I
Thylazine No.12 (June, 2007)

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