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AUSTRALIAN ARTISTS & WRITERS FOR PEACE
Kelp forest: Annunciative by Paul Cliff

[Above] Photo of Paul Cliff by Skye Bloomfield, year unknown.

Paul Cliff


Kelp forest: Annunciative by Paul Cliff

World's tallest kelp
grows to 200 metres -
moored just off the Californian coast.
      Taller than all its onshore,
      air-breathing,
                     cousin redwoods.

Each plant slow-marches on the spot:
upright as shocked hair.
      Each copse tight-reined.
      Tides jockey through it.

Hectare upon hectare:
                        like great wavering,
brown, drowned library-stacks of words -
woven from all languages-&-tongues of the world's lovers.

All written / spoken forms:
pillow-talk, postcard, assignation note ...

              email, ghazal & madrigal ...
       rock lyric, ballad,
                         sonnet, ode ...

The kelp stands listening,
absorbing all of this unto itself -
in its still, anchored,
ululating herd.

Awaits its critical mass -
till the expression is perfect,
and love's, finally, got the right words ...

       At which, each plant,
       detaching its root-foot,
       will effortlessly rise
                     to headbutt the sunlit surface:

       And all will be uttered
       to the Impatient World.

Published in The Impatient World (Five Islands Press, 2002).

About the Poet Paul Cliff

Paul Cliff has been included on the CD Australian Poetry: Live at Chats (Geoff Page, 1999) and in anthologies (Mattara, Poet's Choice, Footprints on Paper). For the past 20 years he has worked as a book editor (McGraw-Hill, Harcourt Brace Jovanovich) and magazine editor (Simply Living and Geo). He currently works in the National Library of Australia's publishing division, where his compilation The Endless Playground (on Australian childhood, based on the Library's Oral History, Pictorial and Manuscript Collections) received honorable mention in the Centre for Australian Cultural Studies Awards 2000. He's also compiling from the Library's Manuscript Collection a small poetry anthology reflecting Australian childhood experience, to accompany that book. Paul's experimental piece Deadline: A Manual for Hostage-Taking won the Canberra Playwrights Competition for 2000, and was produced by Canberra Rep Fringe. He has been a runner-up in a Robert Harris/Ulitarra Poetry Competition. Paul is currently completing for submission to prospective publishers a text on Les Murray (extending a Masters thesis which focused on the creative process in Murray's use of 'Bunyah' landscape, iconography, and sub-themes, and assisted by the poet's showing him around the farm and neighbourhood, and ongoing correspondence).
   [Above] Photo of Paul Cliff by Skye Bloomfield, year unknown.

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