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AUSTRALIAN ARTISTS & WRITERS FOR PEACE
THE OCTAVE OF ELEPHANTS by Les Murray

[Above] Photo of Les Murray by Jenni Mitchell, year unknown.

Les Murray


THE OCTAVE OF ELEPHANTS

Bull elephants, when not weeping need, wander soberly alone.
Only females congregate and talk, in a seismic baritone:

Dawn and sundown we honour you, Jehovah Brahm,
who allow us to intone our ground bass in towering calm.

Inside the itchy fur of life is the sonorous planet Stone
which we hear and speak through, depending our flugelhorn.

Winds barrel, waves shunt shore, earth moans in ever-construction
being hurried up the sky, against weight, by endless suction.

We are two species, male and female. Bulls run to our call.
We converse. They weep, and announce, but rarely talk at all.

As presence resembles everything, our bulls reflect its solitude
and we, suckling, blaring, hotly loving, reflect its motherhood.

Burnt-maize-smelling Death, who brings the collapse-sound bum-bum,
has embryos of us on its free limbs: four legs and a thumb.

From dusting our newborn with puffs, we assume a boggling pool
into our heads, to re-silver each other's wrinkles and be cool.

Published in Translations from the Natural World (Isabella Press, 1992).

About the Poet Les Murray

Les Murray was born in at Nabiac, New South Wales, and grew up on his grandfather's small dairy farm at Bunyah. After travelling in Europe, he served as editor of Poetry Australia (1973-1979), and as poetry editor at Angus and Robertson (1976-1990). The Murrays moved back to Bunyah from Sydney in 1986 and continue to live there on the 40-acre block which has featured strongly in much of the poet's work. In addition to his many Australian prizes and awards, he has more recently won the Petrarch Prize (1995), the Queen's Gold Medal for Poetry (1998), and the T.S. Eliot Prize (1997). Peter Alexander's biography of the poet Les Murray: A Life in Progress, (Oxford University Press, Melbourne, 2000), illustrates how Murray's work absorbs or reworks a wide variety of literary forms from short lyric to verse novel, points up his diverse linguistic and thematic explorations, and how his writing is underpinned by the spirit of the Australian landscape, his republican sentiment and respect for the 'bush values' of traditional Australia (absorbing his own pioneering Gaelic ancestry, and Australian vernacular culture), and his Christian belief.
   [Above] Photo of Les Murray by Jenni Mitchell, year unknown.

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