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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                   #9/thyla9k-sm
AUSTRALIAN POETS SERIES 9
The Poetry of Sara Moss
Selected by Coral Hull

[Above] Photo of Sara Moss by Shane Carter, 2003.


I A Deep Fear Of Trains I Earth to Man I Correspondent I Compassion I
Filling out the forms for a disability pension I Life Signs I


A Deep Fear of Trains

The platform is lonely. There is no lonelier place.

The suburb sleeps
in the afternoon heat.
Paddocks whisper rape and murder.

Crows circle
the metal railings.
Overhead, wires hum.

A boy died here,
mucking about,
throwing rocks on the tracks.

The train claimed him.

The new express.

I imagine his mother
travelling the next twenty years
in cars and buses.

The nightmare of trains
never stopping,
people staring blankly from the windows.

They don't see
her mouth open
pleading with the passing carriages.

But there's no train passing,
just a gentle breeze
stirring the dry paddocks.

The wire hiss of afternoon.

The soft flapping
of black crow wings.

Published in A Deep Fear of Trains (Interactive Press, 2000).

Earth To Man

You will find me
in your own dream.

Recognise
my reed thin cry.

Your mouth opens wide
but no bass issues.

I am the hollow felt
beneath the ribs

you try to fill
with junk culture.

You feel me going -
already gone.

You remain ghosts
from a once bright

though insubstantial
pageant.

With the stage laid to waste -
the mind closes.

Correspondent

1

He checks in
with just his backpack.

Eats room service
with slow
careful mouthfuls.

Holds each lens
to the light
wiping the day's smudges.

He'll take a shower,
get an early night.

It's harder to clean
the shots
from his memory.

2

He knows the worst of them
will be cut to fit
western sensitivities.

Focus on the faces
of living crying children -
The man with the gun.

Leave the raped naked woman alone,
good taste decrees
her corpse be chaste.

They like their naked women
alive and smiling
on page three of the Sunday paper.

Published in A Deep Fear of Trains (Interactive Press, 2000).

Compassion

Her vagrant eyes are searching,
(for an absent god?)
She's mad drunk and rocking an empty lap -

from my womb from my womb

Her white-black babies stolen.

Still she has compassion
to hold my hand and chant a foreign mantra
native to the ground I cry on.

You see, she knows I am sick
and my heart fills with stories.

And I want to keep them.
Wait for the right words.
But they do not belong to me -

they are other people's children.

Published in Salt-Lick Quarterly (Australia).

Filling out the forms for a disability pension

The doctor asks me
how much can you do?
How much can you not do?
Can you walk a hundred metres unassisted?
On the flat?
Or up a hill?
Can I get a job
by walking a hundred metres?
Can I earn a living
by tying up my shoelaces?

No, I am not incontinent
just terminally inconsistent.
No category for this?
I have to rate each breath
with degrees of difficulty
like an Olympic diver -
my reward - a gold medal
in how to navigate stone-hearted bureaucracy.
Only I am diving
into state-sanctioned poverty.
Out of the mainstream -
and into the shallows.

Published in Stylus Poetry Journal (Australia).

Life Signs

They're scrubbing
the flightless birds
their wings stuck with oil

as the ship heaves
its metal bowels
into a pristine sea.

To a world
it failed to deliver
its cargo of energy.

The breathing machine
rises and falls

a monitor bleeps its rhythm
and we wait
with our hearts in our laps.

A beak opens and closes

a soul that knew
the free air current
rises

rises.

Published in The Drunken Boat (USA).

About the Poet Sara Moss

Sara Moss was born in Somerset England in 1967 and migrated to the Gold Coast in Queensland, Australia in 1979. She studied history and politics at Macquarie University, fuelling an interest in public affairs, social justice and the environment which is still reflected in her writing. Sara has been publishing and performing poetry for almost ten years. Her first individual collection, A Deep Fear of Trains, was released in 2000 by Interactive Publications. She's currently working with digital artist Scart (aka Shane Carter) in the Synaptic Graffiti Collective. They debuted a live multimedia performance of poetry, flash animation, artistic images and instrumentals in 2003 performing for the Arc Arts Cooperative on the Gold Coast and the Queensland Poetry Festival. Sara has worked for Brisbane-based publisher, Interactive Publications since 1997.
   [Above] Photo of Sara Moss by Shane Carter, 2003.

I Next I Back I Exit I
Thylazine No.9 (March, 2004)

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