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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                          #8/thyla8j
THE POETRY OF TERRY MCARTHUR
Selected by Coral Hull

[Above] Photo of Terry McArthur by Lainie Brown, 2003.

""This love is nameless and bears no shame.
This love is our blood and our name."


I DIALOGUE WITH THE RAVENS I THE TIME ALWAYS KNOWN I WINTER IN LONDON I SNOW OVER TREES I
THIS LOVE IS NAMELESS I MORE THAN THE GRASS LESS THAN THE WIND I DEATH NAMED YOU TOO SOON I WHAT TO DO NEXT I ETERNITY IS HERE I SHE'S GONE I MAP READING WITH RORY I
DOING TIME IN ETERNITY I THE BEARDED LADY'S DAUGHTERS I MANY DIED IN HER EMBRACE I
PAMELA'S REQUIEM I REQUIEM I PERMANENT SCARS I


DIALOGUE WITH THE RAVENS

And so we heal by angel's fire
Like ravens caught in cauldron's glow
To brew what potion we do not know.

The Ravens:

We cross the night sky in this gigantic land
Our wings soar above strong rivers
Far past the muddy caves and hidden valleys
All you good men pray to indecipherable gods
Who pass sentence on the homeless and the helpless
Swilling hunger on the banks of your rhapsody
You grow like a thick green cancer choking the heart of everyone you meet
So easy to feast and forget the skinless bones of your ancestors

They:

But these are old myths
Stories from the past
Fragments to warm a cold heart by
They will soon turn to ash and the wind will have its way.
All will be forgotten all will vanish

The Ravens:

We know the world is crooked and straight
The way wide and narrow
The water deep and shallow
It does not stop the spirit seeking itself in the long song of the seasons
The eye is whittled by the years to one deep line of light
Our raven's wings defy gravity
They are the stuff of dreams
We are born in them we live by them
We awake to the bell of the night ringing out the names
Of all your generations who have passed this way.

THE TIME ALWAYS KNOWN

We can always touch this time with our hands
We can dig the earth plant the rice fields
Take our offerings to the gods
Our bodies in step with the harvest of our hearts
This is the time we have always known
This is the time our sap and seed is starlight
We live and we die by water by fire
It is our time to make and unmake
We can dig the earth plant the rice fields
Take our offerings to the gods
We can always touch this time with our hands.

WINTER IN LONDON

Winter in London like some breathless monster
Wrapped me up in the shroud of a chill new morning
I could not decipher the code of her streets
There seemed something buried under walkways and bridges
Some tidal Thames pulled at by the moon
A river grey and balding in the late afternoon

I held up my hands to the monuments and marks
I heard embedded voices in the statues and stones
I almost caught the smell of fire and funerals
I thought I saw martyrs and kings forsaken and alone

Winter in London like some riddle from the underworld
Rose up to embrace me in the sunless ground above

SNOW OVER TREES

snow over trees cliff to sky
steam blossoms like first spring flower
i am wrapped in the wild arms of civilisation
the verdant hills that once rose and fell here are gone now
forests hewn and lopped
in their place squares of steel and glass
spawn and plague strike fierce fever in the flesh
all about the quiet virus accelerates
from culture to culture face to faith
the first stories rot in this cauldron's pot

we were once a priceless banquet
a caravan of spices
now the hamburger and the soft drink
now the meagre meal of colonisation
the coloniser and the colonised   both hunger
both long for the steaming kitchen
both chew the brittle bone

snow over trees cliff to sky
steam blossoms like first spring flower

LOVE IS NAMELESS

Transparent shadow
Sun beneath sallow day
Rain in from slate sky slanting down winery roads
My son hand in hand asks
What are you born to live for?
I tell him love
His translucent eyes meet mine
We understand
This love is nameless and bears no shame
This love is our blood and our name

MORE THAN THE GRASS LESS THAN THE WIND

i The Break In Time

From the soulless sea to downtown desert
Who blows the wind over the night escarpment
What difference in setting out and arriving.
Where does this position of solitude lead.
For Gods have abandoned me and devils have no say
I am here to make what contribution
To the movement of humanity on the music of the world.
As I am the symphony and I am the resonate note
As I am the bloated sun and the fading moon
Where is my season and what is my sign.
Did we ever think it would come to this shallow water
The high tide mark out there somewhere in the distance
Or crossing the river imagine the broken boat
Laid up against the reeds
Our magic drum cast into funeral waters.

Where to now what to show how to tell.
I am lost in my halcyon days
I am digging up despatches from my slumbering soul
I have almost slipped under death's sombre quilt.
My face seems someone else's
My hands are a dream of days
That blur against the motion of endless repetition.
I sleep I wake I eat I work
I immerse myself in the dull round of dying
I despair for my ruined arms searching out the break in time.

ii The Sisyphus Stone

I am not the condition
I am not the mummifying edifice
The yellowing photograph.
There is something else beyond the mute mask of years.
The charred wings of flightless certainty are no reward
The brilliant glittering baggage those artefacts of living
Become the stone of Sisyphus
Eternal torment from eternal delusion.

The thought of possessions is finally ludicrous
The gathering was always meant for the dispersal.
The living and the dying the mark and the remembrance
Confront a dazzling interior
The cave of innocence
Where all who return must wash off the grit of the world.
Where the temple and the desert are sisters in solitude
The seasons make no difference
The wind does not erode
The bright skin of broken cities cannot cast their songs of lament
Over my eternal spirit.

iii I am am I

Am I spirit am I flesh
Am I the distillation of my ancestor's dance
The heritage
The present voice
The living embodiment of the infinite procession.
Time and eternity make their own patterns
And we who are also the pattern of countless dancers
Breathe in the rhythm of our resonance
Singing the sun up and down
Making and unmaking the world
In the image of our flesh
By the cadence of our spirit.

I continue from necessity
To breathe in these monstrous dreams of cruelty
I continue to breathe out the transubstantiated essence
The pearl diver's pearl.
My alchemist's anatomy blazes across the way of the world
Stretching out to make eternity in time.

iv More Than The Grass Less Than The Wind

We are not beauty
We are not primitive angels
We are not the mirror or the image
Our hearts cannot beat from blood alone.
We will be stripped of everything.
The abyss will find us or we will find it
One morning one evening it doesn't matter.
We will not call it life
We shall not call it death
It will know us by our true face
Call us by our true name
And then we shall dance for better or for worse
And then we shall sing in time and eternity
And then we shall be more than the grass less than the wind

DEATH NAMED YOU TOO SOON

for Lee 1963-2003

Death named you too soon my boundless brother
Death came like the whisper of a raven in the night
And now this void between your coming and going
This emptiness and unbearable absence

I carry my grief to the quiet country
Beneath ancient rocks simmering desert
The sea's diamond blue horizon
Let me lay out the marks of my remembrance
Let me call down the sky to weep time's tears

I gather firestick and story
I hear the eternal song of seasons passing
The lament for all that will never be again
And just when I thought there is nothing but the roaring silence
Your voice
Your laughter
Your luminous liquid eyes
Beyond grief and joy
Beyond the shadows of the living and the dead
Beyond time and eternity

Dance on dancer
My brother
My proud Cadigal warrior man
The first and the last will be the first again

Dance on deathless feet.

WHAT TO DO NEXT (FOR MAURITIA)

The sky that loomed under her skin
It broke rank with the sun and moon
And let all the darkness in…

Wind passes over her land
All seems swept clean  all seems erased
Having been so long in the making she is unmade
We who live on are left to remember her
By name by place by touch by intersection
Our meetings of the heart
A song a poem a photograph

Such words fall dully upon the day
Like gray waves upon a brooding beach
We walk in unexpected patches of sunlight
Crossing and re-crossing the question
What to do next?
Having entered the impossible moment
How to make it possible again and again
Having lived in the luminous eternity of time
How to go on living after the event
Day after day

What has the past to do with the future
When the unbearable present wore her so thin
What to do next
There it is
A simple question all of us must ask in our own way
Or leave unasked at a greater peril
When the bell jar is broken
And the spirit keens for sanctuary
How much more living must we do
How much more living can we bear
What keeps us alive then if not the fear of death
And when death itself is afraid of our reply
What to do next?

Do I hear you say
Go on breathing go on
Split the sky with a rapturous cry
Hurl a handful of sand into the face of the wind
Do I hear you say
Become the wind
Let sky and sand be our skin
Enter the elemental rhythm
Do I hear you say
Part of us must fly part of us is erased
Part of us remains in the veins of all those who remember
The part of us we forget

Before in the first tender awakening
Everything was possible
The choices the voices
The bedlam of time and place could not deplete us
Before we were eternal
Laughing madly at the delirium of the world
Urgent vital
Our questions all for the asking
All for the knowing
All for the living

What to do next?
Now that we have come this far
And all about us the wind sings its mourning song.

ETERNITY IS HERE

we walk with arms unfolded hair undone
the savages and the custodians of the cosmopolitan trance
summer slanting though the wild wash of circular quay
walking for what
walking to where
the wicked reprisal of the sun's ascent scorches pedigree
but time here is spent carelessly
sipping pteradactyl drinks on white linen table cloths
mobile phones sucking up the ether
but time here is not vacant
it presses hands upon the talkers
rousing you to one last burst of noise
then dazed by the harbour's beauty dumps you in a maze of silence

and the thread amongst the maze the sacred coloured cotton thread
a stretched sinew along this labyrinth of desire
do you dare speak of the minotour
when the dead walk upright in your bones
imploring you to wake time's callous serenade

you dream in this staggered sunshine of a cool dark well
outside the perimeter of your dreams you ask again
walking for what
walking to where
you see the faces of your ancestors
the generations gathered in your curdling blood
you see the tall mast of settlement billow out over the harbour

the wind picks up the thread of history
laying down the first streets of sydney
walking for what
walking to where
the city skyline glints like a million locusts
the moon weeps tides and over the sky an air blimp glides
adorned with totem and talisman
chocolate warrior beer baron belly camera beaming
aerial shots for prime time news

eternity
once written on endless pavements
five ringed sydney harbour bridge pale white cadence of the opera house
up on the giant screens of martin place a pantheon of golden gods
god thorpe god freeman god hackett
divine for a time
eternity is here

SHE'S GONE

And this is how it happened
Even though it had been foretold
Even though he had been forewarned
In dream by the dark forest of instinct
On the wings of spirallling birds across the face of her river town

Nothing    no oracle    no premonition    no smouldering dream
Could have prepared you for her death

You remember the telephone call
The voice of the stranger
You remember turning to the room
Your sister brother lover
And drinking in their waiting eyes
You waited for a moment
To find the words
But the words found you instead

She's gone
Into the wind
She's gone
Into the seasons
She's gone
Into the heartland
Her face will no longer look out among us
Her huge hands no longer touch us
She's gone
Spirit dancing
She's gone

You drove through grainy rain of winter afternoon
Your mother lay behind green curtains
At the end of the world
What else could you do but find her propped up on pillows
Recounting the story of her terror
She did not need to speak
Death had not been kind
It had seized her from behind
Startled her with the strength of its embrace

She may have screamed
She may have swooned
You could not tell
You felt the uneasiness of her death
The absence of peace
The residue of her struggle pressing against you
As you held her hand
And kissed the yellowing marble of her forehead

She's gone
Into the wind
She's gone
Into the seasons
She's gone
Into the heartland
Her face will no longer look out among us
Her huge hands no longer touch us
She's gone
Spirit dancing
She's gone

MAP READING WITH RORY

how much further  asks rory
as  we slice through the northern tablelands
hills rubbed out or so it seems not there cut back to bone
earth exposed to rain now mud slides down to fill a river
the trees  what's left of them stand crooked and forlorn
the cattle mope about for some sliver of shade
shaking off new england frosts to bake their hides hard

we are driving north
big time tourist radio reeling back the road
my son at three years and eleven months
asks for the map
he wants to give us directions to byron bay

take the black road turn left
take the blue road follow that
then the red road and that's byron bay

he repeats these directions several times
with great certainty
we observe black turning to blue and then a thin line of red
trickling through this ribbon of a town
looking like someone wrapped a parcel inside out

rory grins and shouts byron bay
happy birthday dad

DOING TIME IN ETERNITY

I was standing in a doorway at the stroke of midnight
Looking for a sign to show me the light
There was a preacher in the distance holding up a book
He said it didn't matter where I went to look

I asked for directions from a wandering Jew
All he ever told me was what I already knew
Then up came the Buddha wishing me well
He was pointing to the garden of a heaven and hell

I came upon the snake at the bottom of the tree
He was tired of doing time in eternity
He wanted to apologise for causing all the trouble
He said the apple was buried underneath some rubble

I saw three cashed up angels weeping for the world
I asked them why their toes were permanently curled
They said it was from too much sleeping on the job
They lashed their wings together they swore they was robbed

Some do it for the pleasure
Some do it for the pain
Some seek forbidden treasure
Others just like to complain

I came upon a road that led to the midnight feast
I soon found myself inside the belly of the beast
There were gurus to the left of me and gods to the right
And seven savage preachers trying to shed some light
I knew I was in trouble when they all began to speak
They kept me there for forty days but it felt more like forty weeks

I wandered into temptation down where the trade winds blow
The women there taught me things a man just never knows
My lips were all a-tremble with all that sweet desire
I knew the taste of paradise would set my soul on fire
So I burned myself to ashes and I crawled out of there
My balls were drained forever I was beyond all hope or care

Some do it for the pleasure
Some do it for the pain
Some seek forbidden treasure
Others just like to complain

I hitched a ride with a saviour who offered me his faith
He said the world was ending but I could still escape
To where I asked him slowly not wanting to offend
He said I could leave my body the very next weekend
And once aboard his mother ship I'd have a whole new set of friends

Some do it for the money
Some do it for the fame
Some seek forbidden treasure
Others just like to complain

I shared a drink with two rock stars and we nearly came to blows
One had a hole in his head the other had a hole in his nose
We could not agree on anything except the price of fame
I left them hanging upside down mumbling in the rain

I met a movie star she had a fatal disease
Said she'd caught it years ago from trying too hard to please
She married a plastic surgeon from the Hollywood Hills
As an extra form of insurance to help her pay the bills

So when I came back to the doorway in the rain
Everything looked exactly, exactly the same
Except for the key I found it's difficult to explain
If doing time in eternity is all that really remains

Is all that really remains
Is all that really remains
Is all that really remains
Is all

From the album Permanent Scars by The Cube (MGM, 2002)

THE BEARDED LADY'S DAUGHTERS

The asylum is filled with the genesis of love
Above me the doctor talks of relief.
He tells me life is a state of mind
Where curtains are drawn and statements are signed.
I listen at night to the angels of war
Revealing the light of divine law

Nurses stalk windows when sunlight begins
To darken the edges of my stubbled chin.
I'm shaved every morning by Nurse Madelin
She's ripe for my harvest hungry for my skin.
Listen to me Nurse Madelin
My face is your prison grown hollow and thin.

The drugs that you feed me are large and round
I feast on the green ones then the white and the brown.
give me the banquet of my dressing gown
Lead me to the room with the best toys in town.
Strapped to the chair wired for sound
I'm the rarest of species the laughing clown

I am Jesus Mary and the lame mule
Shiva Shakti and the nada of fools.
My beauty is too much to bear
You ignore me, you fear me, you do not care.
Hide me away year after year
I am so grotesque so ugly so queer

Worship your youth
Bury old age.
Lock the deformed and defenceless
In this silent cage.
We beasts of burden must be bought in
Our minds are a desert of raving wings.

Listen to me Nurse Madelin
It is time you shaved me once again

MANY DIED IN HER EMBRACE

i

You were one of those men whose spirit is untameable
Living with a vigour and tenacity
Outside the margins of convention
Knowing death so intimately
Life becomes a vast storehouse of joy

From the age of sixteen death had fallen in love with you
And through the subsequent war years followed you everywhere
Lavishing love on everyone she embraced
Wedding only those who acknowledged
The delicate disposition of her radiance

Many spurned her
Stumbling between grenade and machine gun fire
Blood and jungle mud oozing out of every laboured breath
Holding onto the thin red line of life

At such times she was patient
Understanding their reluctance
She did not fret or paw the air or stamp her feet
She waited on the edge of their dreams
Offering the languid roll of her body
Knowing in her heart what lay beyond the bat

ii

You were not the marrying type
You had no time for death or dying
Or eternal bridegrooms of the battlefield
Death had marked you but death had no hold over you
Death loved you but you did not love death

From Singapore to New Guinea
You witnessed unspeakable horrors
Suffered insufferable wounds
You fought without malice
Without rancour

In all those years you could not remember a single occasion
When death was absent
In your sleep in your dreams in your waking walking fighting crawling
Death breathed inside your lungs
It was all you could do to expel that aroma
Knowing no sooner had you done so
you would again inhale her fragrance

iii

In the fourth year of the war
You floated down-river slumped over a log
Your legs dangling useless in the currents
Your face a kaleidoscope of shrapnel
Huge divots of flesh ripped out of your body
Your rib cage splintered into a grotesque arabesque
Of marrowed pulp

When you were fished from the water by New Guinea natives
Who cradled you onto a litter
Carrying you for weeks up and down paths known only to them
You did not love death
Even though death had never loved you more fiercely
Or with such passion
You did not recede into delirium
Or succumb to the nightmare of that journey
To a cluster of huts on the edge of The Kokoda Trail

When you were strong enough to be carried
To a battalion of freshly stubbled soldiers
Your moist green eyes asked for no favours
Your soul wrapped like a tourniquet
Around what was left of your body
Diffused all sensations of pain

You craved nicotine and bananas
And seemed entirely composed of a shimmering blue light
Which subtly permeated those who treated you
Causing a sensation of heat to suffuse their lungs
Shriving their dreams upon the year you took to recover
From that first scorching kiss of death

iv

Finally
… You lay on a slab of imported Italian marble
The Reverend Brian Beazley was in a state of shock
Having for so long predicted the time and cause of your death
The Reverend could not comprehend its arrival

You'd think after playing Lazarus
Five times on the operating table
You would have realised your soul lacked the necessary preparation
You'd think you would have called me to your bedside
And said Brian prepare me for the Kingdom

But you not you           you just went and died

v

As you lay dying
You thought of all the other times
You had been in hospitals
Your life a series of graphs and charts
Measuring the rise and fall of body temperature
The state of your heart
The creeping invasion of muscular dystrophy
Collapsing muscle tissues nerve endings

It had begun in your left foot and spread ever upwards
At first you defied the paralysis
But as leg irons gave way to walking frames
To that first grey backed wheel-chair
You took up painting
And recording bush ballads
To the country and western twang
Of Cowboy Bobby Flowers, slide guitar

You thought of what Bobbie's father Herbie would say
Now that your own breath came in short spasmodic bursts
Now that the oxygen mask was forever clamped
To your yellow-grey lips

You pointed to Herbie in his eternal Anzac bath of oil
Cocooned in a tideless womb
Skin stripped from mustard gas
Erupting with violet dreams
Enduring the unendurable
You tell me how Herbie still grins up at the world
and winks those lidless eyes of liquid blue
There to remind us of who we are beneath our skin

vi

You thought of others who had been wheeled in
During your decade of resurrections
Eroded by the malady of The Burmese Railway
Changi
Tobruk
The curtain of blood from countless theatres of war
Descending upon their now aging bodies

Despite the intervening years
The marriages
The children
The variegated hue of their living
In intensive care you recount they all smelt the same perfume
They all hailed that same aroma of their youth
As a watchful bride re-appeared
More beautiful than ever

Many died in her embrace
Many spurned her
Stumbling between bed-pan and heart-machine
Shit and blood oozing between each laboured breath
Holding onto the thin red line of life

At such times she did not abandon her vigil
Understanding their reluctance
She sang her bridal song

Whoever seeks me finds me
Whoever finds me knows me
Whoever knows me loves me
Whoever loves me I love
Whomver I love I kill

vii

Fifteen days after your sixty fifth birthday
You had a prophetic dream
You told your wife you had seen a brilliant blue pearl of light
Inside the pearl sat a god sheathed head to toe
In the same shimmering blue
Who called for you to cross the river
Cross the river of dancing light

You told your eldest daughter
To eat well and beware of the man who promised everything

You told your youngest daughter
To eat moderately and beware of the man who promised nothing

You told your youngest son
To bury you with your gold watch and riding boots on
No matter what

You told your eldest son
You had wondered why your father Joe
Was covered with fine red dust
Until you realised you yourself was corroding from the inside
And the dust
Well the dust was nothing but the sweat mark of death

You told the nursing sister
Who had attended you twice weekly for fifteen years
To recite the bush poetry you had composed for her
Whenever she felt the inexorable ring of solitude
Tighten round her heart

You told the doctors
You would be discharging yourself first thing in the morning

You told The Reverend Brian Beazley his god was dead

You told your eldest brother
There was a boxing ring in heaven
Where all the world champions were still fighting to the bell

You told your youngest brother
To walk between the river and the moon
Because that was the only way his sorrow could be cleansed

You told Irene whose husband Doug rode shotgun with him
On the Gippsland pay wagon every second Thursday
You had donated two soft-drink bottles to the church
In recognition of the part they had played
In the saving of your soul

You told The War Veterans' Association
To auction your seventy-two paintings of lopsided racehorses
To the highest bidder

You told your favourite niece
Poppy would always love her

You told the nurses
You had run out of tobacco again
Would one of them duck down to the shop
And buy you a tin of Champion Ruby and a packet of Tally Ho

You told death
Since there were no secrets between you
To get on with the business at hand
You hadn't waited this long for nothing
And you didn't want to say goodbye to everyone
A second time around

PAMELA'S REQIEUM

Tonight Pamela is in Paris
I cannot stop thinking about what she will do
With the rest of her life.
How she will rise and fall with each passing day.
How she will wake up each morning
Knowing it is one more morning.
I cannot stop thinking grief breaks over the empty beach
Of all who imagine they understand her loss.
No-one can understand.

Tonight Pamela will press herself into bright new gestures
Force herself to attend dinner parties
Discuss politics
Fashion
The structure of the brain.
She will be witty
She will be gay.
She will tell those Parisians about the Australian sky
How the clouds are so high and far away
The light so sharp and cruel
The landscape so vast and magnetic.
Unlike she will laugh this claustrophobia you pass off as sky
Unlike this thick wall of history your bones are embedded in

REQUIEM

I. Memories

Tonight Pamela will gasp at the procession of memories
Throwing a vast canopy of love over the brittle moon.
Tonight she will ask why as she has asked a thousand times.
Tonight she will picture their apartment on Rue de Remay
The evening meal
His hand about her waist
His eyes dancing with delight
His smell his touch his kisses his gentle words of goodnight
As she snuggles into the small of his mathematician's back.
Tonight she will hear as if for the first time
The air erupt from his lungs
She will see his body twitching jerking
His eyes rolling rolling                       rolled.

Tonight she will dream of him in an alley-way
Crouching behind an overflowing garbage can.
She is calling                 there you are
He begins to walk towards her saying
I fell asleep I only fell asleep

It is not good enough to tell her Pamela life is cruel
But you must not stretch the skin of suffering so tight
It tears.
It is not good enough to listen as she speaks from a place
That brings the tears to your eyes
In an unceasing scorch of remembrance.
It is not enough to sit with her on a threadbare lounge
In a Glebe summer remarkable for its unyielding rain
And listen to her own words of loss and separation
Rain down upon your struggle for understanding
Your struggle to witness free from understanding
Her unbearable sadness her unbearable beauty.

It is not enough.

II. An Imprint Goes No Further

Tonight Pamela bars the French windows and draws the curtains.
She reads aloud his letters
She thumbs through their photograph album
She walks to the video player and presses rewind.
Their first summer house appears
Hugh is loping towards the camera
He looks immortal.
His face is framed in a tangle of angelic knots
His arms reach out towards the heavens.
His tread is so light he appears to be floating
Across the surface of the street
Like a God etched in muscle and motion.
He begins to speak
Words form
Pamela strains forward to catch the exact measure of
Each syllable.

Hugh Hugh tell me more don't stop please don't stop Hugh.
Hugh stops.
He has no choice
He is a strip of celluloid.
He is the imprint who can go no further
Say no more than what has already been said.
He is so near and so perfect and so preserved.
He is Hugh Cornwall the mathematician
Who in the summer of 1978
Married Pamela White the research scientist
In a gazebo where Claire Bowtell at the age of three months
Suckled her mother the violin player
Who wore nothing but a bikini bottom a cream pair of tails
And a top hat whilst playing the Wedding March
For the radiant bride and groom.

III. The Scrapings Of The Wind

Tonight Hugh is everywhere.
In the scrapings of the wind
In the evening rain
Outside the window
Waiting for Pamela
Standing in some unnameable shadow
Casually whistling the secret song only they know
Only they have ever whistled.
It is the kind of song lovers hum between kisses
And Hugh is whistling it now
Between each rewind and play of the video-tape
Between each turning page of the photograph album
Between each line of every letter that she reads.
Hugh is whistling
Waiting in the huge darkness
Whistling for Pamela to come.

PERMANENT SCARS

I have been walking in the land of when
I have been talking to the silent men
They taught me the secret of the seven veils
They showed me the way to the holy grail

I caught a glimpse of the sacred well
I heard the sound of the tolling bell
I kissed a woman by the healing river
This is the message she said to deliver

The gods make flesh with their eyes shut tight
The body is the ash and the soul is the light
The heart is a tide that moves with the stars
The sun and the moon are permanent scars

I cast the first stone in the looking glass
I took shelter by the trees near the underpass
I saw terrible visions flicker and fade
I was handed a ticket to the night parade

I extended my thanks to the marching band
I was dressed in the tears of a foreign land
I saw the shadow of death in an aeroplane
I heard the eagle scream as it began to rain

The gods make flesh with their eyes shut tight
The body is the ash and the soul is the light
The heart is a tide that moves with the stars
The sun and the moon are permanent scars

I came upon a tower that had fallen down
I picked up the photo of a bride in her wedding gown
I saw Bin Laden in the desert with his 42nd wife
They were talking with Hitler about the meaning of life

I followed a road to the lady of the lake
She said the history of the world is in the eyes of the snake
Beware of the traffic of human desire
You better keep on walking you must not tire

The gods make flesh with their eyes shut tight
The body is the ash and the soul is the light
The heart is a tide that moves with the stars
The sun and the moon are permanent scars

From the album Permanent Scars by The Cube (MGM, 2002).

About the Poet Terry McArthur

Terry McArthur is a Poet, Songwriter and Playwright. "When I was twelve I wrote a poem and showed it to my mother. It was at this moment she realised her eldest son would tread the same path as my father, a Big River bush poet. She was right. Except for the country and western part. I took to recording my poems over beats, synths, and wild mercury guitars. I discovered Dylan, Zappa, Hendrix. I devoured Marquez and Kazantzakis. Primo Levi showed me secret paths to the self. Muktananda awoke the ancient kundalini serpent. Van Morrison stirred the Irish in me. I met Laurie Anderson in a Surry Hills lift. Ted Hughes, Leonard Cohen, and Robbie Robinson hovered like guardian angels. And so I wrote in the freeze of New England winters, by the monsoon rain of Belllingen summers, under the yawning blue of Bali sky, from the top floor of New York hotels, on the boardwalk overlooking St Kilda Beach, behind the doors of a Rozelle warehouse. This is my writing life. Since 2001 Terry has been one half of The Cube, a Sydney based band melding spoken word with sung vocals and beats. The Cube have just released their debut album Permanent Scars on Bronze Records (MGM). Terry is currently working on Walking Skin.
   [Above] Photo of Terry McArthur by Lainie Brown, 2003.

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Thylazine No.8 (September, 2003)

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