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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                    #8/thyla8k-ps
AUSTRALIAN POETS SERIES 8
The Poetry of Pamela Sidney
Selected by Coral Hull

[Above] Photo of Pamela Sidney and Barry by photographer unknown, year unknown.


I She I The Last Ziggy Star Dust Show I May I The Land of Sidhe - Bringing Back Dreams I
Sculpting Silence I when earth breathes in I


She

The plan was announced
force nature to give up her secrets
an 'all out' unprecedented effort
by a white-robed priesthood -
select scientists academically prepared
to examine her by experimental method

they observed, measured, weighed
employed elite calculus
scrutinized under sterile conditions
found great difficulty coming to conclusions

something very strange here
could not be seen, grasped or comprehended
by slide rule, computer, no barometer
could tabulate her ambiguous essence
in consideration they concluded
things 'appeared' from nowhere
mysteriously 'grew' in this essence
things flowered, propagated, evolved
networked, interlocked communally

puzzled and angry they prepared
to dissect, de-construct, perform autopsy
to discover her ambiguity, boasting
nothing could beat their elite
precision-trained logical minds
practical scientific progress the goal

they pulled her silky petals apart
saw in astonishment
an elaborate complex cone
magnetically attracting birds and bees
all this, and perfume too

they clipped her leaves, saw new ones forming
but where was her womb?
they teased out her roots implanted deep
saw her tenacious grip on earth
but where was the source of her tensile strength?

they pinned her down under formidable microscopes
saw colony upon colony of tiny mites
ants, bees, termite societies
working communally for a common good

from where do her orders come?
what are her principles of power?
where is her central intelligence organization?

all efforts made were stymied
for every beauty led to another
every fleeting sensation baffled their expectations
confused, they concluded she seemed unending
ever unfolding, intriguing

frustrating

all assumptions formed led to another
so the search was deemed indeterminate
in the end they had to admit
nature corresponds to something
unqualified, unquantified, a little like love
it appeared they said
a wholly different language is needed
to describe her - invisibleness
and this language we do not possess

unsettling, disturbing
it seemed the only words
they had for nature
belonged to another world
an organic anarchic terrain
of dark mystery
holding a luminous beauty, integrity
ambiguity, nobility, unpredictability
she radiated a magic
a psychic, metaphysical, mystical air
she emitted a surreal loveliness
uncaptured comeliness, capriciousness
allowing no straight lines
for us to calculate they said

she was all curves, bends,
crossroads and forked turnings
indeed she has an untapped quality
of utter randomness

how annoying

so

from their clinical sterile laboratories
of scientific excellence
they announced formally nature
at this stage cannot be defined
akin to quantum physics
she is an 'uncertainty principle'
a puzzlement
we have no words for this conundrum
but, be assured, we are working on it

The Last Ziggy Star Dust Show

I watch him / bending time / a young chameleon /
wielding power / bowing bold / before mirrors of change /
a dancing hero / playing brave / pointing his finger at suicide /
his voice loud / impatient dramatic / constrained inside
ascending chords / suddenly caught / he's breathing in /
vulnerable now / down to a whisper / emotion beginning
to soften the sound / still in sync with magician's hands /
[eternal the hands of the white-faced mime]
he's Peter Pan / defining the cracks in our existence /
his fingers finding a chink in the wall / to break through
blissful / only to fall / back to the shadow of a black cabaret /
staring now / mocking the monster / knowing that monster
is himself / taunting logic / striking magic / loving the image
in the mirror / his fallible friend for this fragment of time /
applying the glitter / the superficial gloss / standing tall /
in red plastic platform boots / discussing death behind the door /
stirring leaves in cemeteries / hovering in shadows /
surveying tombs / consorting with aliens and other beings /
like poets and players strut their stage / he gives himself over
to the pose and the play / the triumph and the terror
of this brief script / in the spotlight / eyes straight ahead /
arms reaching for heaven / a hero surviving /
scoffing at life / raging at dying

May

My heart tells me it's time for bonfires
ballads, bawdy Beltaine.

Instinctively I know buds are burgeoning
tight before the unfurling - heredity tells me fertility
has spread over the land, sheep are lambing, cows calving
new leaves sing on deciduous leaves
blood runs quick in my veins - it's lover's time.

But wait, this is Australia - southern hemisphere
born here - May simply doesn't behave that way.

May is melancholy
night closes in too soon
the sky weeps soft, sad tears
leaves turn brown red and gold
drop and crunch on paths in parks
the magpie rests before the urge to nest
and the sun sits low in the dusky pink deepening sky.

The witch in me is so confused - torn - I am born
to this red-ochre dreamtime singing wilderness
need the whispering untamed space.

Yet needing just as much
the tiny patch-worked velvety dales
brimming with foxes squirrels and cats
and hares twitching noses from netherworld burrows.

The witch in me is so confused -
tuned in to Northern Hemisphere
where the bones of my ancestors
lie scattered from the steppes of Russia
to the farthest, tiniest North Sea isle.

So where is home?
Where the bones of my ancestors sing?
In metaphors of magical tales - kings, dragons, swans, queens
old crones and Merlin deep in his sea-locked cave
enfolded solitary in the stratified stillness
communing outside time.

After a lifetime my people call - sing in their myths
inconsistencies - scream their labyrinthine horror
sigh from their lakes filled with votives
weeping into their holy offerings.

My seasons are out of sync - I celebrate spring
when its autumn, summer in winter
my solstices are inside-out, upside down
it seems my heart's a traveller.

Those childhood tales of witches and cats
reindeers and rabbits disagree
with this tender ecology.

So where is home?
The red-ochre singing wilderness?
The ancient earth where my ancestors lie?

Do I trace song-lines
in this burnished heart-land
this floating jewel of a southland?
Or follow my deep-sea myths -
submerged worlds of crystal citadels
and sad princesses and earthly mortals
who mate with sea-creatures?

Can there be a resolution
while I still ask where is home?

The Land of Sidhe - Bringing Back Dreams

for Cait Na Mara

We crossed bridge to the Land of Sidhe
into a traffic of night-hags and spectres
an Otherworld outside time and gravity
where only the dead and gods reside.

There, clothed in sweet eternal youth
we drank the draft of deathlessness
to stay for a hundred years or more
'til fate prevailed we take our leave
and drove us far from the Land of Sidhe.

Our flesh on the brink of mortal death
time and innocence stripped from us
we left the furies to the smell of sulphur
screeching curses dry as fire
battle-mad banshees buoyed with power
we left them, to their wars of attrition
spiralling to earth in suicide dives.

We left the one-eyed harpists
plucking strings for fading hearts
still trapped in the languid scape.

We left behind the web-haired sea-wraith
'calling up' storms, flicking illusion
in sailor's eyes, luring down
those hapless souls
to her salty sanctum fathoms below.

From a chamber of glass
she spins and weaves
re-membering the stuff of life
the warp and weft of then and now
and fate like future sealed within
the great deep.

She sighs ...

"You have returned to the first ocean
to the sanctuary of your mother's womb.
Is it love you bear, enough to surrender -
to raise from it's ocean grave the crystal citadel -
begin again a golden age?"

The web-haired sea-wraith
released the man - not bold enough
resumed her work on the ocean floor
spinning in magnetic dreams
to keep the dragon slumbering.

Astonished and bereft of speech
enchanted with visions of incestuous gods
we fell possessed of inexplicable feelings
near the deadlands of mortal conflict.

Sated and spent we lay by a lake
where no foot treads and no grass grows
land laid in waste since the 'battle of the trees'
a place so still, so winter-dark, voices of ancestors
curl in the mists and melodies in strange keys
vaporise from the fissured earth
like seeds of possibility.

And we returning mortals dwelt
in caves and trees and gullies
sacred numbers in our heads
homing crystals in our hearts
stealing from the Land of Sidhe
shades of unknown hue
whispering audacious poems
to the wailing willing wind
'calling in' the whirling
portals of remembering
bringing back forgotten dreams
to kindle all the sleeping ones.

We howled our back to the green-wood world
the weight of mortality in our hearts
drew down the waxing moon
our hair in twists of three colour spells
glinting prisms of Otherworld light still glowing
luminescent, armed with starkest poetry
we penned with obsession every dimension
'danced in' art like battle frenzy
a savage renaissance - mad, thirsting
divine warriors we returned.

* Sidhe - pronounced shee

Sculpting Silence

She was met at gate four
by a hornless Pan with the calm brow
of an apprentice warrior - the lovely stillness
of a contemplative spirit - a saturnian
moon-boy.

Saturday saw her at the pagan circle
lectures on the ancient Celts - cones of power
temple dancing - 'Enya' filled the room.
Face painting this night the occupation.

He drew on her left cheek a silver moon
a viridian pentacle on her third eye
and for her temple a black sun
dotted white at the centre.
On her right cheek shaman lines
swirls and slashes, she looked in the mirror
could barely believe the amazon spirit reflecting there.

She painted warrior cuts - blue and black
on the left cheek of young Pan
a golden pyramid for his unlined brow
and on his right cheek a pearl white crescent moon.

Aware of each other for several Saturdays
face painting magnetised, found them
sharing their earthly energy.

He drew her to him like a lusting Adonis
a passionate fixating binding spell
that pulled him back to her house
best was his warm body
lying close all night
waking together in the morning
to arrive on time for the Animal Liberation
'duck shoot protest' - auspicious surely - their first
outing televised nation wide.

You enter his house through a private shop-front
walk the length of an oblong room
past a wall of mirror, ceiling to floor, baskets of props
costumes on racks, ballet barre, castanets -
a dancer's rehearsal space.

A cadence seeps from the back of the house
'Wings of Desire' permeates the air
where paintings hang three deep a wall
and charcoal sketches roughly blocked
sit propped by solid reference books
scissors, needles, measuring tape
crimson rolls of shot-silk taffeta
lie scattered like abandoned statues
awaiting the catalyst of some cosmic order.

On the stove lentil soup bubbles
drying herbs on window sills
cast their fragrance like Wiccan spells
the hungry mewings of new-born kittens
splinter the air with an urgency.

In this safe haven everything unfurls
dances art into reality
like the images of an epic poem
the casual chaos of this artist's house
enfolds you in it's alchemy - shifts you to a reverie
invites you to be a player on their surreal movie set.

He shares with two women
a flamenco dancer leaving soon for Andalucia
a dress designer - gothic - looking
for the right shop on the right street.

They eat Turkish on their laps
watch themselves on TV - 'duck shoot protesters'
demonstrating on the steps of parliament house.

He gave no clue
if he knew of the blessings
falling on him in the form of four women.

Three - of indeterminate age -
the fourth - just walked in to sleep the night
his young girlfriend from Berlin
brittle blonde sophisticate
world-weary Europe
flowing in her veins
a countess
surely with her mood swings
her temper tantrums  her need to be queen
an attention seeker  prone  to pyrotechnic identity crises
predictably in the wee hours of the morning
leaving him sleep deprived
but his virtue is patience
he never questions her vain displays.

Of the other women -
the three - of indeterminate age
one manages a gallery  chic indigenous
bark paintings   artifacts from Arnhem Land
travels there half yearly in her four wheel drive
confident of her place in the world
no strings independent.

And the university lecturer
cool  collected  life comfortable
house  car  a marriage or two
way in the past   an enthusiast
devoted to all things Celt.

Lastly she,  newcomer to the scene
the 'duck-shoot protester' cum TV star
sometime actor  sometime singer  diary keeper
beginning to wonder where her place is.

All four women
bees to his honey pot
available  for a small share
of the androgynous apprentice warrior boy
still finding himself emotionally
dark corners of his psyche
quite closed off
difficult
for him to talk
of the man in his past
the violent episode  that same man
she just happens to know  an actor
she worked with some years ago.

And that boy's hair  swept to one side  Oscar Wilde
sensual  hard-edged Carlton face
melds with Rumbarellas
and Brunswick Street
his steady eyes
holding the hardness
of the grasping eighties
yet warm  most kissable mouth.

A young Pan
learning ways of love
from four very different women
a diffident lover  wanting to be there wanting not
dreaming of deserts  connecting with Koories
travelling free with his didgeridoo
his real passion  an outback
dusty spirituality
gentle dreamer
unopened
lotus flower.

She drove home alone most nights
her face  not completely dry.

Three years intervened.

She arrived one night at a Coburg house
with a friend to lay some tracks
he was there boarding
tense living
in the all male household.

He introduced her proudly to his dingo bitch
said "She has a beautiful nature"
then told her he has a daughter
nearly three
doesn't get on with the mother
he seemed lost  a little lonely  it was clear
his head and heart already in the west
of this great continent.

He asked her to stay the night
she said "I've got to go" didn't explain
her detached space   too deep now
in her underworld   to rise
and be   where she was
when she was last
with him
too much water had flown
too much of everything  had just  gone past.

She said goodbye to the solitary boy
still unsure of growing up
his need to be held  his need  to be apart.

She'll not forget him   so tender and still
a quiet unfolding watchful soul
waiting for something

even he doesn't know

*[excerpt Gate 4 [b] from Twelve Gates]

         when earth breathes in

       cold winds scarp across her face
      crease her lovely brow in winter
     when earth breathes in ice and snow
    shadows fall across the land
    blackening her green and gold
    as she spins all things lengthen
     turn in to touch her tender heart
       turnng like a dancer weaving a spell
        forever spinning solitary winding
         her seasons one to another cold
          in the vast unforgiving space
           her small dramas spinning too
          war revolution quakes and storms
         the weight of gorging parasites perched
        upon her back unasked for travellers
       there for the ride for the journey
      of their festering life most never think
    to feed her beauty just take and take and take
all she has she gives utterly good earth turning
goodness sprouting trees upon her crust
  just for us to breathe small seeds
   cradled in her spinning womb expecting
    her always to manifest good food
     spinning in her waters her rivers her lakes
      her memories turning giving us good life
     that we may live to serve her in the name
    of beauty and she asks for nothing expects nothing
   just turns to face the sun then turns to face the moon
  and we turn with her in shadow and in light
turn with her night and holy day day and holy night

About the Poet Pamela Sidney

Pamela was born and grew up in Brighton, Melbourne. Her performing/creative life began 1963 - Kenwood Theatre Studio Hawthorn - director, Ken Woodward. Stayed 5 years as principal actress, playing Shakespeare, Shaw, Bolt, Rattigan, Barrie. Did TV - Homicide, Hunter, Division 4. John Riddaell's Command Performers Theatre Company Richmond - Rodgers + Hammerstein musicals. 1974 - sang in Marjorie Spicer's rock opera 'Paul', Ballarat - Camberwell - Sydney Opera House. Auditioned successfully JC. Willamson's 'Irene' 1975, played Her Majesty's Theatre Sydney, 8 months. 1983 - Introduced to poetry at Café Jammin', run then by 'Tom the Street Poet'. Founded 1990, with Ken Smeaton and Whitefeather, 'Perserverance Poets' at Perserverance Hotel, 1991 partnership 'Sweet Hemlock', with bass player Angus Mc Creeley, who composed music for her poetry. Began self-publishing 1991 [14 poetry collections to 1995]. 1994 - Austin International Festival of Poetry. Reads at Dan O'Connell, Duke of Windsor Prahran, 'Good Morning Captain' café, festivals, 'slams', Monsalvat etc., member of Melbourne Poets' Union, Actors Equity [Vic]. Published in: anthologies, magazines, street poetry sheets and Melbourne's Age.
   [Above] Photo of Pamela Sidney and Barry by photographer unknown, year unknown.

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Thylazine No.8 (September, 2003)

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