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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                    #5/thyla5k-kb
AUSTRALIAN POETS SERIES 5
The Poetry of Ken Bolton
Selected by Coral Hull

[Above] Photo of Ken Bolton by Jenni Mitchell, 1998.


I T0 GENERALIZE I HOW I'M FEELING I


TO GENERALIZE

We sit at a table in The Baci,

an indoor table -

with a view of the tables outside, that may act

as a springboard,

                     the false limb,

                                                  or 'pseudopod',

of a primitive one-cell animal,

                                                which

                                                                - tho to

                                                                what end -

                    I compare our brains to:

We are not outdoors, no

        But we are not quite inside

                                                                either

- because of the windows -

                                                   Tho should it rain

we are entirely inside, & glad

of it. ( In fact, it won't rain.

                                           And,

another fact - the fan is on 'too hard'

- but half an hour, what is

a lunch hour, that one can afford

to move,

                   or complain,


                                                               unless one does it right away?


                                   Yep?


                                                    Right? )

Take The Guardian, a newspaper :

open it - & you are transported,

far away. I sit, 'literally', in The Baci, the

literal one - others sit, or sit metaphorically,

at metaphorical Bacis & think away too, aware,

as I am - for I 'generalize' -

of the larger world, the larger tides

& patterns that

pass through it,

& of their smallness

& the incidental nature

of their own lives

in relation to these tides,

even of the

invigoratingly

'human dimension'

this knowledge lends

- & its practical inutility.

You look outside, at the beautiful, slightly glaring light

that lands on Cacas' Chemists - & lands, too,

on whatever you're looking at - & consider the traffic,

        the passersby,

the scope of the disasters in Africa - which is almost

Medieval - though modern because man-made -

& the scandals in the City - which are Hogarthian,

English, & 18th century, though modern, too -

& your own problems, which are contingent &

practical - how to rob a bank,

(whether to move from that fan) whether

to get another coffee - which you need

if it is metaphorical & this stuff

brings you down.

                       If it is not metaphorical

but a real one, you must have

a whole hour for your lunch hour -

mine has 30 minutes.

2.
Now, did you take your newspaper? No?

Take mine, the Guardian. It is an eye,

a balloon on which you float, "Eighty Days" style,

around the world, never really touching down,

and also, of course, like a limb. You pick it up,

hit something with it,

perhaps a fly. And the world

is that li'l bit littler.

Or pehaps it is a steady state.

There are people bashing flies

all over the world - Hong Kong Herald here,

Bombay Tribune there, The Lima Truth, Montreal's

famous Examiner - killing perhaps the only fly

in that part of Canada - or did it get away? Who knows? The waitress looks up -

what is that guy

swatting at,

at The 'Syrup & Muffin' Diner? He settles down.

                                                                Her eyes

return to the jars in front of her.

Your eye takes in the window

& the scene outside - cars, pedestrians, Cacas the Chemist -

& is 'drawn' outside, & with it you

(with the assent of your brain - which in truth

according to some theories, is

an outgrowth, a sophistication, a development

of that optical organ) are drawn outside also.

You arrive together, your eye delighted,

your brain keeping up, & your 'self' rounding out their number,

invigorating to be up & doing - up &

'going', unfortunately, back to work -

in five more minutes.

HOW I'M FEELING

                                  "a relaxed Carol Linley" - Bill Berkson

The 24th of November!

+

And yet, despite that
"artists must never weep" (-Beethoven)

+

The orange day of the poem

rages on, still!

+

The Actors !

                             "a relaxed Carol Lynley"

a favourite line

+

Ben Gazzara (well numb my stunning mind!)

doggedly talentless bore! Studied

Creep!

movie-wrecking

Ben Gazzara

+

Great to be a poet,

great to be a painter!

Great to have some cigarettes!

+

CRAB IS JUST A SOFTIE !

+

& I don't even smoke

+

see the way I do this, a little

state-of-the-arty ?

+

my heart sets out
on another little one of its trips

+

"Carry my beer while I weep!" "Is there

             a tissue in this pub ?!!"

+

Rundle Street,

where I sit (outside)

in the cold night, lovely

& clear, & think about this girl, Deborah.

+

woman.

+

aeolian heart - aeolian mind

+

You think I'm Romantic ?!

But I know what You think !

+

          a small

poem, of obscure encouragement

+

what to do with it ?

+

In respect of Zen though: "That way

lies Madness"

+

too unsung (?)

on the contrary -

not unsung enough !

+

"Nope! I don't have 'a thought

in my head'!" - George Brent

his characteristic expression. (If it

could speak.)

+

would you of

+

The cat butts my chin with its own little head

- a head butter for love!

+

I'm not on any porch - that's

Tony Towle (poet), Cole

Porter, or someone

+

sex

+

I guess I will win out

+

This doesn't 'mean' anything - I hate poetry

where it does, don't you?

+

One 'looks back'

- from the railing you're always

standing at, say,

to inside - the lit room,

the desk, the carpet,

the curtains long & white

emotional

+


I said it cause you'd like it

+

Driving home I figure I 'get thru

the traffic' by Logic of

Strange Position

+

Maybe you will 'get' to like me.

+

"The dopey effect of the third person"

                 another great line. I agree with.

         (By Stephen Rodefer)

+

& here is another one - which proves it.

"he was about the only decent conventional poet around, as

                                                               far as he could see."

                                                                              &           "The FBI

                                seize all Iran's de Koonings."

+

                                                          Would you think less of me if

"with my biro in my mouth, sand drifting over my feet"

                  I thought this ?

+

&

                  "how are you feeling  /  in ancient September?"

About the Poet Ken Bolton

Ken Bolton is a poet, art critic, editor & publisher. He was born in Sydney in 1949. Since 1982 he has lived and worked in Adelaide, where he is associated with the Experimental Art Foundation. He edits Little Esther books. He edited the literary magazines Magic Sam (1970s) & Otis Rush (1980s & 90s). Ken Bolton's art criticism has appeared chiefly in Adelaide, in The Broadsheet, Artlink, Otis Rush and regularly in the early 90s in The Advertiser. Ken Bolton runs the Experimental Art Founation bookshop. He has published less often as a literary critic: in Otis Rush, Overland, Australian Book Review and has published a significant reassessment of Les Murray's work in Heat magazine. The Westbury Street Poems won Melbourne University's Michel Wesley Wright Prize for 1990. Two Poems - A Drawing of the Sky was shortlisted for the 1991 Victorian Premier's Award.
   [Above] Photo of Ken Bolton by Jenni Mitchell, 1998.

I Next I Back I Exit I
Thylazine No.5 (March, 2002)

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