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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                  #4/thyla4k-ass
AUSTRALIAN POETS SERIES 4
The Poetry of Alicia Sometimes
Selected by Coral Hull

[Above] Photo of Alicia Sometimes by Andy James, 2002.


I crime wave I the salty I the extinction play/ (a blues/jazz tribute) I
when you become a vegetarian at thirteen I united states of australia I


crime wave

i see the crowd dealing & responding, to manners they feel
compelled,
storing the word processed soul & deleting extracts from which
they don't approve. i see people playing cards by the side of
the road & i see the expressway & all i want to do is walk on.

because i pitch the shift in ways in which it could mean
something
& i'm left with a pit
it's a crime wave move on
& it feels out of place to want to taste the things that don't
belong & leave the mess inside
it's a crime wave, push on

i feel the faces stripping & guts ripping out twice, the
audience
knows it's not just bullets converting energy to death. arguing
over some strip that divides more than just a town. the way you
bleed only from watching, the way you heal from only stopping.
i know so because i saw it on the big screen, a man held out
his hands with a gun & looked at me & said 'hey babe, it's a
crime wave, time to move on'.

because the abuse is loose & undefinable so let's put it in the
closed file marked under lost,
it's a crime wave, read on
& if i see the man from the tv, i'll be sure to stop & say,
it's
a shame ray, haven't you moved on?

i see the market with a bible of beauty, & the mantra with a
heart of t-shirts, presents wrapped in tomorrows & diets
based
on yesterdays. i read the script before it was written, every
word, every character, every moment had to say, 'it's a crime
wave, move on'.

the pattern lingers like grubby fingers sticking to the fridge
door, evidence left only proves
it's a crime wave, clue on
& to set the scene i see it all out by the washing machine,
clothed
& hung out to spy
it's a crime wave, groove on

sun eats skin, like misunderstanding eats hearts, like lying
whips facts or cheating yourself lashes back, & like time
through
an hour-glass, these are the ways of our knives. they just sit
there & moan over a shooting student, broken forests or trashed
flesh, then go get take away, it's a crime wave move on.

because i pitch the shift in ways in which it could mean
something
& i'm left with a pit
it's a crime wave move on
& it feels out of place to want to taste the things that don't
belong & leave the mess inside
it's a crime wave, push on

& it gets me every time, so erratic i can't speak, i hold to
the buzzing end & like a crime bite i set to it like filth,
like
history you know it's going to spill, like bad timing, like
regret,
& when there's no hole left to dig, & no mind left to spend &
no money left to learn, it will be pulp, a reality detective
thriller, you'll be the star and i'll have to remind you - 'hey,
it's a crime wave move on, there's nothing left to see here,
move along.'

the salty

she was hatched in warmer vegetation. she is gruff & choppy.
her
flirtation is gnarled & with purpose. the mangroves dress her
in
smocks of dulled leaves. she comes across as concrete. she's
not looking for
a groom. her snout is open. she eyes the thirsty boy. if this
were her son she
would scold him. dolce vita. dinner at dusk. she has eaten here
before. she
intuitively runs

through the roll in her mind. a preface to pleasure. she is
dinted
from bad
judgement. kinked a boat. she won't move from her focus. she
is ochre &
soured butter. she is greygreen. she's a water dingo who's been
crossed. a
wet dinosaur. she knows how to crush with her teeth & carry
babies

in her sharp forks. she is maternal. her family once taken for
shoes &
trophy. her cousins culled in the thousands for meat. she is
instinct.
she is hungry but she is not the only hunter. she is next day's

headlines: MAN BRAVELY GETS REVENGE.
she doesn't.

the extinction play
(a blues/jazz tribute)

starring: those who can't speak.
setting: an island in 2087.

Music in the background is Gorecki, Symphony NO.3
from Symphony of Sorrowful Songs.
(mixed with a funky up tempo beat)

Javan Rhino: Pass me some cigarettes, I'm having trouble with
this Derrida.
Caribbean Monk Seal:        /            /
Female Bonobo: It takes a great deal of history to produce a
little literature.
Male Bonobo (sipping fruit cocktail): Hawthorne?
Hawksbill Turtle (filing her nails): Like you have the time or
inclination to write.
Won't you be in a zoo soon?

Female Bonobo starts to raise fists. She jumps up and down.
Everyone
here is a little
tired from the sun, too much conversation and not enough
massage.
The pollution is getting to them.

Male Bonobo: Hey, this is self defeating, let's all work out
how we get out of here.
Thylacine: Am I really a Tiger-Wolf? Does this define me? What
am I when I'm not extinct?
Hawksbill Turtle: Will you stop with your philosophy, at least
your skin is not used for
jewellery. What would Descartes think of that - fleshy tiger hung
round the neck?
Thylacine:    /            /
Tecopa Pupfish (standing up and addressing the others):
Something's
not right, I feel
like we're being watched and Thylacine's right, there's
something
unnatural about this.
Passenger Pigeon (aside): What does that mean?
Male Bonobo: You are so dull, so plain, there's so many of you,
why were you wiped out?
Passenger Pigeon: I don't know but I am here. Why are you here?
Caribbean Monk Seal: Be careful Bonobo, I was slaughtered
because
I chose to be friendly.
Female Bonobo: He's here because I asked him. (beat) Look we
came here because the Zebra, the Echidna and the Lion decided
to help. We were sick of being hunted. How do we get out?
Javan Rhino (looking up from his spectacles): You can't.

Everyone mumbles, the crowd is stirring. The heat is too much,
the truth is curious.

Hawksbill Turtle: Please someone get me a drink, our time is
short.
Javan Rhino: No, your time here is limitless, we're only in the
pages of a book.
Female Bonobo: It takes a great deal of nature to produce a
little
impact.

Everyone:      /                                        /

THE END.               (START CLAPPING).

when you become a
vegetarian at thirteen

1. if you don't
    eat meat
    how do you
    give head?

2.
       (it's only a bit of flesh
       just scrape it to the side)

3. close friends comment:

    you'll become anaemic.
    how will you get your protein?
    don't you just crave a burger?
                 i hear it effects reproduction.
    stop being selfish/    /start
    looking after your brain. afterall
    you are too thin/fat.

4. how will your gesture
    save one Panda, create
    World Peace, help the
    Forests, Ban the Bomb,
    alleviate poverty & get
    you a date? Sometimes,
    you just have your head
    in the clouds.

5. So you're not wearing leather
                   what's next, no bra?

6. All our ancestors were carnivores.
    I'd look a cow in the eye when I
                                  slit its throat.
                     Spam's not real meat.
         Bacon's too good to give up!
                       What would I cook?

7. We're going to get a sticker &
    slap it on your car:
    MEATHEADS RULE.

united states of australia

we have all stood under the stars
of Orion, Perseus & Pegasus
& looked at the Australian night sky
asking for an American dream,
for a Spaghetti Western moment
a Marlboro kiss/ a Seinfeld barbecue
San Francisco lighting
& the freedom of coffee with a fresh bagel.
We look to our older cousin America
with its tradition steeped in soul, jazz & blues
(& we feel like we want to express, perhaps more
                      than we actually are)
Instead of standing around talking
about the Webber/ we must remember
within our shorelines lies the arcane
& the proud moments of bonding:
together we unite in many things.
more things than thongs, Vegemite or
Mark Taylor,
indeed we might be
the United States of Australia.

Let's not ask
where were you the day JFK was shot.
let's ask, more importantly
where were you the day Bob Hawke
got his glasses smashed by a cricket ball?
                      Were you listening on the tranny when he
          announced to the whole country, had cheated
on his wife?/ let us relate.
were you just a baby when Malcolm Fraser
was caught with his pants down?
does anyone remember Paul Keating
announcing to the nation that we all had to
fart/ sorry fight back?
we will never use the word recalcitrant the same way again.
were you still enthralled in Playschool when Jack Thompson
                                                  got totally
pissed
at the Logies?
or when Mike Willesee was diabolically plastered on
evening television?
Where were you when the Chappell brothers
decided to give New Zealand the underarm ball
or the moment Normie Rowe punched Ron Casey at midday?

remember the JOH FOR PM bumper stickers?
or Iggy Pop scaring Molly Meldrum on Countdown
just before you sat down to dinner with your parents?
these moments make or break a country.

We stand together in Rod Marsh courage
Don Lane gumption
& Graham Kennedy yahooism.
have we not all bled
when we have heard that someone has won Tattslotto
& only wants to buy a white Commodore & a new patio?
               are we not all striving for the perfect Bert Newton
smile
the warm feeling of uniting in the cry 'baaaall' with eighty
five thousand people
or agreeing on the call of LBW with a total stranger?
isn't life about the ultimate continuous mexican wave?

We unite together in surf beaches/ arachnophobia/ the search
for the perfect pair of slacks/ a good summer frock/ outdoor
coleslaw/ sunburnt noses & the hunt for the
                                               best value
antiperspirant.
some put on the Wheel of Fortune face
others just act like Norman Gunston
in front of other people's parents.

We unite together in parody/ cafe lattes & foccacia/ in
multiculturalism
we connect in Anzac biscuits/ our sun soaked arcadian ways/ in
music/ art/ language/ sport & swearing
yawning could be a national pastime.
                                           We've put down the Ken
Done tea towel
& looked once more at the stars & remembered
the moments/ the people: the Freemans
the Lillees/ the Albert Tuckers/ the Sally Morgans/ the Ugly
Dave Grays & the Ernie Sigleys
& know

we are Poetry States, in humour & verse
for better or worse
in our determination to ascertain what
                              this country might be
let's not feel like a failure
it doesn't matter what it's called -
the Lucky Country, a Republic, Home
or the United States of Australia.

Published in Voiceworks (Australia).

About the Poet Alicia Sometimes

Alicia Sometimes has performed as a spoken word artist over 350 times since 1992 at a variety of venues, festivals, states and countries with a myriad of Australian and international performers. She has been published in Cordite, Pelt, Verandah, Going Down Swinging, Voiceworks and many other anthologies. Her work has been heard many times on TV, radio and various spoken word CD's, most recently 'You Talking To Me?'. Alicia is currently co-editor of the literary magazine Going Down Swinging and co-host of the spoken word show 'Aural Text' on Melbourne radio 3RRR (Wednesdays 1pm). She is a teacher of poetry and short story at RMIT and Chisholm TAFEs.
   [Above] Photo of Alicia Sometimes by Andy James, 2002.

I Next I Back I Exit I
Thylazine No.4 (September, 2001)

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