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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                    #3/thyla3k-tp
AUSTRALIAN POETS SERIES 3
The Poetry of Trevor Poulton
Selected by Coral Hull

[Above] Photo of Trevor Poulton by Coral Hull, 1996.


I JUST LIKE TO DRINK I MORE THAN ONE WAY TO BBQ A CHOP I JOHNNY WHEEL I
DEATH STORED IN A HANDKERCHIEF I MEN'S ONLY I


JUST LIKE TO DRINK

Cob was rounded like a leather ball,
sheer muscle,
he just liked to drink,
did a one-off armed bank robbery
and never got caught,
can't go wrong
if you just stop at one, he said.

He just liked to drink,
even at Scotch College,
he just liked to drink.
VB was his favourite.
He headed down to the usual haunt,
St Kilda, Prince of Wales Hotel
where you drink, and to the Espy,
the bay windows flooded with people
who just liked to drink,
and think grunge music banging in their drinks.

Cob maintained restraint
when it came to doing
armed robbery,
can't go wrong if you just stop at one, he said.

His presence created room,
made it easy
to stand beside him
without the aggravation
of being knocked against
by other blokes, and to listen to the music
and confidently have a drink.

Cob could see two plainclothes cops.
Mario was not the type
to be jaunting to places like this, even
if he and his mate were at the Espy,
because they also liked to drink.

Mario had a rectangular frame
with a head shaped like a TV,
his black hair was cut squarely at the back,
and his horizontal eyebrow,
which had probably joined up
around the time he sprouted pubic hair,
formed a panel
below his cropped fringe;
he was so square you
got the impression that that's the thing
he was most proud of.

'They're cops,' a pimp remarked to Cob,
smiling but not with his eyes,
his neck tattooed with hearts and stars.
'Is that right,' Cob replied, reaching for his drink.

Cob just liked to talk
Essendon Football Club & astrology,
and he just liked to drink

and listen to the sound of a shotgun
banging like music in his drinks.

'Can't go wrong if you just stop at one,' he said.

MORE THAN ONE WAY TO BBQ A CHOP

Sitting at a darkened bar
with sunlight splitting the lounge in two,
the talk was of broken vowels,
Crown Casino, armed robbery
& your mate's brother-in-law
they flung from a plane
his cock stuffed inside the parachute of his mouth,
and how to make a business decision
over drinks
served by the usual barman.

You said your gang was doing fine
pipes placed strategically "undertheground"
to conceal weapons and merchandise,
and the red trikes are still out on the front lawn
you're running Neighbourhood Watch.

How I felt the sweeping movie
of your strife dangling from buildings
only to climb again to the top.

It didn't gloom me to see
the insouciant movement of veins
that wears your associates down.

Your body is now vacant
like a house with a broken window
and abandoned personal effects;
the soft black fringe across the porch of your face,
off-white paint of your skin,
the perfect aquiline nose forming two small tunnels
above thin muted lips.
Chipped blue eyes levered open
by some tremendous force that let escape
twenty-nine years,
a two inch stab wound to the chest, sparse hair
about the nipples,
short black hairs on your legs.

JOHNNY WHEEL

johnny wheel was beyond the rigid grid of police
life/ bit psychic/ took you right into his head where
it's hard to plan your escape/ but it appeared he'd
lost his nerve like cops do/ whose glory days are
waning and find solace lifting barbells

in the gym/ with children peering on/ one day he
just pulled the pin/ some say he's locked up in hills
kyneton way/ and that everyone's out of his mind/
watches native birds' flashing wings light up the
bush around him at dusk/ their

speeding is self-preservation nothing else and that
the spent shells of gum trees means re-growth/ a
crim reckoned once that wheels sat on his double
bed/ shared a joint/ tried to talk him out of death
but he also wanted information/ pauli

would say nothing/ but somehow he felt touched/
wheels never painted him into the wall but could
have/ you could trust him if there was something
going on/ when you could find him/ but he wasn't
like most cops/ writing up tickets or out of the van

pissing on with licensees at the back of hotels/ or
screwing single mums in the housing commission
flats/ we all knew what was going on/ carlton cops
could never keep secrets/ there was a senior
constable/ always drunk/ every week tell

you how he manslaughtered someone during an
interview/ but never got charged/ once I read
wheels' name on the front page of the sun/ asked
what was the breakthrough/ just said meticulously
it was intuition/ probably thought he was having a

joke/ sergeant john wheel the loner/ tracked down/
the young constable with a broken heart driving
north non-stop across the border to brewarrina
chasin' this poet coral when he was supposed to be
on watch-house/ wheels brought him back for his

own good/ that one amused us/ I use to drink with
him a bit/ talk in general terms/ at stewarts hotel/
across from the cop shop/ where everyone used to
mix back then/ sometimes you'd catch him in the
slide lounge with johnny autopsies,

informers/ the points of his eyes/ would tell you not
to walk in/ one day he said to me he was
transferring/ said/ 'it's a promotion &
premonition'/ he said 'you've got to have more
than one reason for doing things/ more than one

motive otherwise you go down'/ chewing his
cigarette end/ wired up in stripes/ and government
supplied shoes/ ended up on one of those/ victoria
police protection schemes/ doing time/ he hadn't
turned crooked/ there was a contract

out on his family/ even the hat felt pity/ 'one of the
few cops not frightened to over step the mark'/ he
said/ 'but that put an end to him'/ talking about
johnny wheel with an old crony the other night/ he
reminisced/ 'you don't call it burning out/ you

call it fuckin' history'/ then he told me/ with those
words it was my fuckin' shout/ you still appreciate/
colourful language in carlton

Published in Cordite (Australia).

DEATH STORED IN A HANDKERCHIEF

He had made his choice.

The trees are a dark blue.
The moon full of views,
its light stares through
sealed windows of flats.

I compare different walls,
knowing I must confront
a single window with
an unfriendly view.

Leaves glint metallically.
I am holding a hammer in my hand
to break the view.

The window has always been locked,
he never let in air;
now I must shatter it
in one gulp.

I approach his bloated body
lying naked on a sheet of moonlight.

The body is restless;
it is riddled with maggots
kept warm by his electric blanket.

I pull out my handkerchief
but already
the stench of death is stored in it.

MEN'S ONLY

I've probably had too much vodka
to drink, supplied by Victor, gentle roman milk bar proprietor
who has brought me tonight
to this men's only baths.

The exercise room.
I chop away naked on a bike,
arriving where I started, merry, bones of my chest
protruding like spokes, so obvious I'm bone,

like the chrome press-ups, the legs of the horse,
the rings spinning foolishly on the floor.

Follow the hypotenuse
of my nose
right to the corrugated block of water with men's claws
gripping the half pipe at the edge; you'll see
naked men floating
in shallow gladwrapped waves,
eyeballs beaming an extra colour of light.

I dive in,
my red hair flooding
my ear lobes and nape; my penis
which increased inside the thighs of playboy pages,
reveals

my speechless pendulum.

I am thinking about sex.

Victor tells me not to worry about studying:
"Learning comes with the soothing of skin."
He offers me a cigarette.

I giggle a bit and then laugh.
Men's baths seems like a good place to be

when there's so much unhappiness in the world.

Someone puts his finger to his lips;
it is perpendicular. I notice any higher and he would block his nose.
He tells me gently, to quieten down.

Fifteen's a bit young
to enter a dimly lit sauna chokka with naked men,
their jewels
smeared in sprog and hot steam.
It's hard to feel your way out of the dark
when you're young.

Published in Verandah (Australia).

About the Poet Trevor Poulton

Trevor Poulton is employed with a legal firm. He was born in Melbourne. He spent the latter part of the 80’s sequestered in a country town in Central Victoria and returned to Melbourne in the 90’s where he discovered poets, performance poetry and the experience of writing poetry. He says he felt compelled to write poems as kinds of incantations that reinforce the existence for him of others, by acknowledging and reflecting on people's self-images and personal myths. He calls the approach ‘referential writing’. He produced around 100 poems in a 3 year span and then ceased writing. A number of his poems have been published in magazines such as Verandah and Redoubt. He now considers himself a ‘dead poet’ and says he is unlikely to write again. Trevor Poulton is currently involved in environmental politics and has set up various groups to end clearfell logging in Victoria, Australia.
   [Above] Photo of Trevor Poulton by Coral Hull, 1996.

I Next I Back I Exit I
Thylazine No.3 (March, 2001)

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