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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                    #2/thyla2k-tw
AUSTRALIAN POETS SERIES 2
The Poetry of Terry Whitebeach
Selected by Coral Hull

[Above] Photo of Terry Whitebeach by Lyn Woolley, 1999.


I MY DAUGHTER I MY SISTER I THE GRANDMOTHRR I
THE EXILED MOTHER'S LAMENT I


MY DAUGHTER

My daughter, as much herself as ever
at twenty eight has come into her own.

My daughter steers great cargo ships
through the Heads at Port Philip,
keeps solitary watch at four a. m.,
wields tools that are twice her length
and double her weight - with ease.

My daughter understands engines,
plagues me to learn about them too.
Change your own oil, Mum, grease the nipples.
Fit a new oil filter. Save you heaps.
Come on. Watch me. Write it down.

My daughter invented unions.
MUA HERE TO STAY! She gives us
the Webb Dock dispute, blow by blow,
on the phone - the inside story. More volatile
than any row her parents ever had.

We're angry, we're loud!
We're union & we're proud!
Her nine year old step-sister chants
as they drive to the supermarket.

My daughter has discovered money;
a childhood of make-do & second-hand
& now the heady joy of going out & buying
computers, camera, watches, tools to die for
and no paying top dollar
when you've got contacts on the wharf.

My daughter has developed an eye for fashion.
No longer confined to Vinnies boutiques
she now buys expensive clothes;
velvet waistcoats for cleaning spark plugs,
designer jeans to sop up battery acid, engine oil.

My daughter is only five foot one,
wears the smallest steel caps I've ever seen,
has to have her overalls specially maunfactured
(she takes some flak for that) but, Ships
are built for people my size, she says smugly,
I never bump my head like the dickhead men.

My daughter rings from Port Douglas, furious.
The dive school's refused her, failed her medical.
They don't know how strong I am, she weeps.
Go to the bar, get a drink, or to the pool
I tell her, say hello to one person, anyone,
and just take it from there. Two days later

she phones, triumphant. These women scientists
who cruise around the world researching fish
invited me to go with them. They're teaching me to dive.
And the adrenal hyperplasia? They're not scared of that,
they're educated: I'm going sky diving as well.

She's had it with the blokes and their proud boast
they can get any woman out of the merchant navy
within three years. She's been there four.
Earned her stress leave, she reckons. Takes time off
to get her head together. And to do ours in,
her brother tells me on the phone.

She sees a psychologist, who wants her to take Prozac.
They're so predictable, my daughter sighs. Why don't they
do something about workplace harassment instead?
Meets a woman who tells her about Lilith, dark goddess.
My daughter thinks Lilith sounds like the goods.

Get me photo, she orders, the blokes have their pin ups,
I'll have mine. The shipping company suggests
her best course of action might be to find another job.
The IRs won't change, they say. But I will,
I'll get my Masters ticket, & boss the bastards round.

Published in Northern Perspective (Australia).

MY SISTER

My sister rings to say
her dream's eroded
her joy in life worn out.

Actually, she says,
"My counsellor tells me
I have depression,
but that I knew already".

She's always been a stickler
for truth & accuracy
for scientific 'fact'.

My sister,
loved & cherished
by us all; the eldest
& closest to death

She's lost weight,
& her skin is wrinkled
she says & she can't stand
the way she looks

A year ago, here,
in neat city clothes
and my old felt hat,
feeding the pigs & chickens,
fixing the donkey boiler,
preparing food,

lying in her swag
outside the homestead,
reading, her face
relaxed, contented,
she looked just fine
to me.

I write back with
travel arrangements,
the manuscript
of my latest novel,

my love for my sister
a fishbone in my throat,
a small sharp snag
in a great river
swollen after rain.

My sister's life
has disappointed her
just as mine is blossoming.
I can't bear that.

Yesterday Rosie Riley
gave me yalka - bush onion:
'They look like grass
but when you see that grass
you dig - they're there -
keep digging

only little ones but
they're good
get a whole mob of them
enough to feed everybody
put them in the coals

or in the microwave -
(new millenium dreaming)
their skins are brown and dry
bit old and dusty looking
but don't be fooled

they're good food
keep you strong.'

I'll wait till you get here
most beloved sister
& we'll cook up
a feed of them together.

THE GRANDMOTHER

The grandmother is fierce,
swears like a trooper.
The fighting Irish her son-in-law
calls her behind her back.

When he came home AWOL
to tell her he must marry
her daughter and quickly
he was more frightened of her
than of being court martialled.
It was the bravest thing he did
in the war he said.

The grandmother is fat. She smells
of sweat. Belly and bosom heave
when she laughs. She has many grandchildren
and one favourite whom she calls Cherry Pie.
This one's cheeks she bites
and squeezes and says I wish
I could eat you! She is a very physical woman.

The grandmother is full of scorn.
She curses everything -
the government, the weather,
the holy romans, doctors, bus drivers,
shops that don't give credit
and any football team that dares to beat her own.
They buy off the umpires you know.

She's religious in her own way.
Uncrosses the knives because there's
trouble enough in the world without looking for it,
throws a pinch of salt over her shoulder, taps on wood,
has a blackfella's fear of the bush after dark.
Gawd knows what's out there to get you.

She sings Land of Hope and Glory and
I'll Take You Home Again Kathleen
with tears running down her face.

Her life has been set between mean limits.
She cannot read or write.
Skivvied for her brothers and a sick mother
while her sisters went to school to
become ladies and made her promise
not to speak to them in the street
because she was so common.

Walked out for eight years with her Jack
before she was allowed to marry
and begin the whole domestic bit again.
She was good to him in her own way
although she told him often
she was tired of doing for men.

When she bore twins she refused to name the boy.
Said she would leave him behind in the hospital.
The nuns were horrified. All right, she said,
I'll take him home and drown him. So her husband
looked after the child, and named him John.

Published in Bird Dream: Four New Poets (Penguin Books, 1993).

THE EXILED MOTHER'S LAMENT

Oh, gone is the music of young men's voices
the clashing of skateboard on stair
and gone is the sight of torn board shorts, old Reeboks,
beard stubble and pony-tailed hair.

Alas, I'm alone in a middle-aged haven
with my night thoughts, the poets, my pen.
Not a pizza, a coke can, no popcorn or ganga
to raise the fond memories of when

the mornings were punctured by the anguish of Slayer
and Thrash was the throstle of spring,
each telephone tremelo, door bell adagio,
car door staccato might bring

a general exodus or a swelling contingent
of skateboards and bare knees and bongs,
of silent young women in sombre black garments
or long Indian dresses and thongs.

Oh, gone are the days of the three a.m. munchies,
the baking of pizzas and cakes,
the giggling, 'Shut up! Your mother will hear us!'
The offhand, 'She's always awake'.

The sleep of the just is mine for the taking
these days and the nights are quiet
but I canšt help wishing for a ringside seat
at an occasional teenage riot.

About the Poet Terry Whitebeach

Terry Whitebeach is a Tasmanian writer, teacher and community artist. She has two adult sons and two adult daughters. For the last four years she has been living and working in Central Australia, very happily, and dreaming of going home to Tasmania. Terry teaches Creative writing for Batchelor Institute of Indigenous Tertiary Education (BIITE) and undergraduate literature for the Institute for Aboriginal Education (IAD), in the La Trobe / IAD Arrernte Bachelor of Arts course. In her spare time she is doing a PhD at the Northern Territory University, in history (their literature department has been dismantled). Her research area is biography: her topic; "Speaking Unspeakable Stories". Terry has published one collection of poetry, Bird Dream, in Four New Poets, 1993, Penguin Books. This collection won the Anne Elder Award for a First Book of Poetry, in 1994, and was shortlisted for the WA Premier's Prize in 1994. Terry is in the early stages of a third novel for young adults, Fish Rain and a second collection of poetry, All The Shamans Work in Safeway. She is also completing the first draft of the biography of a senior Kaytetye man, Don Ross. She was the joint winner of this year's Northern Territory Literary Awards, Poetry Division, with a poem "My Daughter".
   [Above] Photo of Terry Whitebeach by Lyn Woolley, 1999.

I Next I Back I Exit I
Thylazine No.2 (September, 2000)

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