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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                    #2/thyla2k-re
AUSTRALIAN POETS SERIES 2
The Poetry of Rebecca Edwards
Selected by Coral Hull

[Above] Photo of Rebecca Edwards by Jenni Mitchell, 1999.


I Draw A Lion I Wisdom I Rain Dance I Bunker I Crone Song I Sea Change I


Draw A Lion

They said. With a yellow noose I caught one
tassel-tailed, roaring like the sun.

In science we split the caramel eye of an ox
flattened it into charts
which our retinae screened upside down
and our forebrains righted.

Where did yellow begin? On the lips of my father
in the cave of my ear, or at the point
where speech was pinned by my pencil?
The lion yawned and slipped away.

What is yellow? Is the word I utter
the colour buzzing in your shuttered eye?
Is yellow in the lidded pot
still yellow?

And what do we know of green
if butterflies see more shades in a leaf
than the human mind has language?

And can they see the lion
staring out from their wings?

Published in Scar Country (UQP, 2000).

Wisdom

The needle stings me numb. I listen, drop-jawed
to the plink of metal. The second tooth
has roots splayed like a moreton bay fig.
Directly below my chair, they're drilling a new tunnel
through the hill. Jack-hammers ripping up shale and orange clay.

She has to shatter it
tweezer each piece from its bank of bone.
My mouth is stuffed with blood
I can't tell her that each tug
severs wiring in my head. I blank.
Wake to the wordless screaming of nightmare.

A few short-circuits, a big-machine rumble
under a chair
the doctor holds up a jagged spear of coral.
She stitches flaps of skin over the jaw.
I'm to come back six months later for the right side.

Two years. My bottom lip can't taste kisses
gets itself chewed and burnt and drooled on.
I try not to eat in public. Check my chin in the mirror.

The other two can stay in my head, secret as the roots of figs.
I buried the shattered pieces in a creekbed
placed them under smooth yellow stones.
Asking for wisdom. Sinking my teeth in a new town.

Published in Scar Country (UQP, 2000).

Rain Dance

These are the days of the koel.
If the sun is a gong then this is its hammer
the koel, summoning the clouds
with a stockman's cupped lungful.

Coo-whoop! Coo-whoop!

These are the days of the koel.
The rain, reluctant, but gathering under that call
until the air buzzes
and even the spider swims along her web.

Coo-whoop! Coo-whoop!

Only the voice, striking the valley,
Only the voice and the electric air.
The koel scents sky-blood, he sharpens his song.
It slits the tight bellies of cloud-beasts
the powerlines whine like dogs.

These are the days of the koel.
See, amongst the buds of the tallest grevillea
see how a blackness gleams behind the gold?
My child, that is not the crow.

Published in Scar Country (UQP, 2000).

Bunker

Your slitted sleep landmarked
the coastlines of my childhood.
The soldiers were all bone, or home
this was again the Pacific.
But limpet-like you crusted the tombstone reef
or burrowed crabbily in sand.
You could not be otherwise.
You were a helmet, with a bullet-hole brow
you were a fractured jaw, vine-bound to silence.
You were a temple
but no-one worshipped at you.
Only the lovers stole into your sanctuary.
Only the children twined you into their myths.
Sometimes you crushed them.

Published in Scar Country (UQP, 2000).

Sea Change
life cycle of the hunchback cowry

Her sisters stream, brittle-winged
into the widemouth sea
but she hulks there
dark jewel on soft coral
while her body sets around her.

Sprawling inside a china fist
she is a nude, forever ascending
descending the spiral stair.
Shyly, she laps herself
with her secretive tongue.

Until she is impacted, a tooth
in a jaw of stone.
I put my monkey's paw in
to touch her sleek, dark shell
but she draws her mantle up.
I must unfist myself, release her
before the reef will let me go.

She squeezes her eggpaste
down the tube of my ear
and grubfish grow there
in my brain's flanged folds.
That is why I dream
of hunchbacks rippling fleshy skirts
in slow flamenco.
That is why, in the x-rays
I am smiling.

The woman in the mantle fringed with eyes
told me, when it comes
death will be the delicious sensation
of a wet mouth sucking
on its own smooth skull.

Published in Scar Country (UQP, 2000).

Crone Song

Raven, make yourself a nest at the top of my spine.
Use my sinews.
Cock your head like a trigger. Stare through the gunslits.
I need your blueblack feathers, raven
to shield me.

They made me a lacquer box with a bird in it
to sing when the lid clicks open.
I need your strong beak, raven
and a tongue that will not be mistaken.

There is a night coming, it stinks like petrol.
You are skilled at finding a meal
by the side of the road.

This is no time to be squeamish.
Take this blue organ, feed it to your chicks.
Give me your sharp nostrils, outlined in red.

Stay with me.
Keep me awake under this stunned sky.
Be the blossom in my thorn garden.
Plant your footprints at the corners of my eyes.

Published in Scar Country (UQP, 2000).

About the Poet Rebecca Edwards

Rebecca Edwards was born in 1969 and is a graduate of the University of Queensland where she majored in Japanese. A poet and visual artist living in Townsville, she has been a guest of major poetry festivals throughout Australia and published her first volume of poems Eating The Experience with Metro Press in 1994. Her second book, Scar Country, was published by University of Queensland Press in 2000. Her unpublished long poem "Night Is The Smell of Burning" won the inaugural Arts Queensland Poetry Award vin 1999. Her first solo art exhibition Little Dangers was held at Flinders Gallery in 1999; a second exhibition will be held at the Perc Tucker Regional Gallery, both in Townsville. She has been awarded an Asialink residency at Keio University, Japan; and, as a recipient of an Arts Queensland project grant, is currently completing her first verse novel Holiday Coast Medusa. Rebecca lives in Townsville, Queensland.
   [Above] Photo of Rebecca Edwards by Jenni Mitchell, 1999.

I Next I Back I Exit I
Thylazine No.2 (September, 2000)

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