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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                    #2/thyla2k-el
AUSTRALIAN POETS SERIES 2
The Poetry of Emma Lew
Selected by Coral Hull

[Above] Photo of Emma Lew by Jenni Mitchell, 1998.


I Pursuit I Red I Storm I Bounty I Pocket Constellations I Riot Eve I


Pursuit

I have not had fortune but I have seen the resplendent moths
of Daghestan. I have travelled through clusters of their castles
and found them wingless, lain deep, like the oak apple.
And in Angola I have seen hundreds of butterflies grieving.
I have seen butterflies swerve like the fiddle and the bow.
I once heard a boy sing on the deck of a Black Sea steamer,
There is a small and fragile bug!
                                                                                 The respiration,
the pulses of the heart, the beating that bursts the lid of the shell.
In sago I found the weevil itself, and I smelled the perfumes
of the males. Often I've dreamt of the wasp's tumbled journey,
the mosquito's guilt and thrift, how the ant slipped down
to haunt the grass, how the hornet left only the skin of my fruit.
For insects have a beauty that hurts, and that may even darken
the sky. They drum with their bellies upon the twig. They have
learned to cleanse their blood with light. I have seen a mantis
of a delicate mauve impaled on the flea's single spine. I have
known the mere segmented grub, and I have shared the earth
with lice. In the forests of the Congo, I recorded the stickiness
of swarms. O unforgettable flies of Palestine! O cicadas of Spain
in the year I was born!

Published in Masthead (Australia), PN Review (USA).

Red

         "Find some truly hard people."
                                                        Lenin

Leagues apart, and in what latitudes together,
in the most forlorn regions of the oceanic city,
and here moving softly through the listening crowd,
we came and we came and we left our machines
at night, and everywhere hidden wires had only
to be touched. Class hatred had then just dawned.
Cables of denial sped. I remember how the tolling
of a bell would flood, the insurrection surely
cutting my face. Some high official was thrown
into the river, and this became the meshing
of the wheels, and when lightning struck that part
of the old palace, all the theatres were deceived,
or deceived themselves. We were the hired
and the depraved, thin and dark and unjust,
prepared to burst in that ray of light when it came,
hearing nothing and scribbling until the stupid lamp
began to smoke. Everyday we had to thieve
and dive and take the lifted hand of destiny
for a dream. The mud seemed a merciful provision,
the village did its best to teach us fear. Or was it
the darkness of expectation and secret emissaries
who had come the same way? We were shadowy
in our own eyes as well, denouncing only
when silence failed. Depots, arsenals - we could
dare those raids with new extremes of shivering
force, and death was just a tremor far down,
the master who lies in the heart of the serf.
What we were whispering became the clamour,
so the cargo of the ship was unseen and not
thought of, and we had been carrying
impeccable papers, fine ardour among us
on our straight path. My wound sparkles
at these memories: how victory was so often
a collapse, how the pines ran past our sledges
like soldiers, and the wind was always pressing
on the earth. The very themes were existence
and did not dissolve, for the true mind does not
need a body for its life, like the bombs, which
we knew must come, spoiling the small pleasures
they dispensed.

Published in Heat (Australia), PN Review (USA).

Storm

What a wild heretical light
when day bursts its filmy skin,
and pain's already in the wind,
and the sun sees itself
shattered into air,
and thunder
shivers down,
so frail now
in the lost roar of rain,
and clouds stay close
but with a hunger,
and the birds are still,
and their stillness
hurts more than their song.

Published in Heat (Australia).

Bounty

These precious months have been like the blasted rose. I say to myself
often that I am now suffering. Absence binds us, and in the fallow badinage
of a ship's deck my former calm and piety are returning. O my darling,
the rigging swarms. Help me out of this blind life. The shouts of gulls,
the groping reefs. Our ship, with its great iron heart. Yesterday I had
so much faith, I would have given half as much again to stray. In a sort
of reverie I heard your voice, and I left everything and came like a star.
My thoughts are churned by a thousand fins. I do worship but I must not
fall down. I have sometimes closed my eyes to what I see, for I know.
What right have I to dictate to the wind? I ramble in the breast of a storm.
I am alone and I have no chain. Black fathoms adorn the sailor, depths
shine with insistent light. Strange grandeur shuts me in, and the way I move,
so wrong in each limb. The sea has made a mouth of itself, like a huge man
capable of the most delicate phrases. Religion is revolution estranged,
it's saying in its own wild language. Geology teaches that death was in
the world. Night by night the chant is borne. The waves make a senseless
pillow. It is nothing here but bare and the hardest light from early dawn.
O my darling, the gale has wreaked. I give you the feel of grey over ocean,
and its crumpled face has mystery in the wind's making and dissolving.

Published in Verse (Australia).

Pocket Constellations

There's a story I tell men with amputated limbs
who come like islands on numberless lorries,
shelled all day, conserving the blood,
sky shooting up and down the red trenches,
reprisals now turning into a stream,
as the offensive begins to shred, steel helmets
and eyes that translate nothing, and the nuns,
hard as granite.

Under fire we have only the very pure wounds,
in our mouths the cigarette that will never light,
dark cattle cars in whose feverish straw,
and dust again on the march farther south.
In the wake of the bombers come the low-flying,
as the minutes, then the hours, but the worst
are my hands, skirting the Great Square
as through a dead city, transporting the drums
of sabotage.

Revolution is night climbing out of the valley,
feeding our bodies to the stars, extinguishing
all but the votive candle, keeping vigil
in the last lost town. They shot her, her brother,
the wheat, every animal. One house left standing
and a bitter scrawl. I am avenging, but at night
I tunnel, burying more mines in the soft soil
of the pass.

All our lives we have hated white moonlight.
All our lives we have been hating, as we learn
to hate here, tonight, on the ramparts, where
the sentries, the snipers, crave a strong moon.
We have gone through the streets, lisping
our words, hearts full of vicious light,
and always the stars above us that way,
and small children bearing the sonorous names.

Published in Prism International (Canada).

Riot Eve

I haven't, thank God, become a perpetrator.
I never caused the death of others, though I must utter these words.
I hold myself back, as the shrewd son of my father.
I see it like this: a lion will attack a gazelle.

We have one life. Why spend it being feebly decent?
We see but one night; we contain others.
I ask myself if this path and all those terrible detours were really necessary.
There is a reason for everything, and our catastrophe.

Imagine then that a father returns and doesn't speak about any of this.
He carries me on his shoulders during the long walk in the forest.
Imagine a man - so polite, so clean;
his swiftness, his warmth, his murderous ideas.

Look, nothing in this world is perfect.
This is the condition, now growing darker.
History has shown us: the Black Death, the Borgias...
I await the real wooden anger that shapes me.

The gardens have roared for days.
The wind bends the trees. It is like a sign.
I hear of a palace rising.
It is just after midnight, and I will obey you.

Published in Heat (Australia), PN Review (USA) and Landfall (NZ).

About the Poet Emma Lew

Emma Lew was born in Melbourne in 1962. She completed an Arts degree at Melbourne University in 1986, and worked as a deckhand, shop assistant, proof reader, receptionist and clerical assistant. She began writing poems in 1993, and her first collection, The Wild Reply (Black Pepper, 1997), was joint-winner of The Age Poetry Book of the Year award, winner of the Mary Gilmore prize, and short-listed for the NSW Premier's Literary Prize. Her work has appeared in journals in Australia (including HEAT, Meanjin, Island, Overland and Southerly), and overseas (including PN Review, Wormwood Review, Hanging Loose, Landfall and Prism International). In addition, her poems have been included in anthologies, among them New Poetries II (Carcanet, 1999) and Australian Verse - An Oxford Anthology (Oxford, 1998). A chapbook of new poems will be brought out by Potes and Poets Press in the USA in late 2000.
   [Above] Photo of Emma Lew by Jenni Mitchell, 1998.

I Next I Back I Exit I
Thylazine No.2 (September, 2000)

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