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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                #11/thyla11k-lw
AUSTRALIAN POETS SERIES 11
The Poetry of Les Wicks
Selected by Coral Hull

[Above] Photo of Les Wicks by Brian Tonkin, 2000.


I HAPPY CUP Sing. P/L I FLUNG I MILK BEACH I PERSONALS - LADY SEEKS GENT I PRECIPICE I
ROADMAPS and RAIN I


HAPPY CUP Sing. P/L

aw mate…
since I got off the drugs me periods are real regular every month that Tracy mate she's a real moll when she's got her periods, wasn't at first though, real shy. I said, I don't wanna fuck ya, just lick ya clit but she gets off going more I say get that tampon outa ya & we go for it & mate she's hooked.

She likes it up the arse too. First-time I tried she said no then next day she takes my finger & sticks it in. After she says, I gotta go to the toilet, and I say fucken right, you were bloody packed tight. Next time I fuck you up the arse, get yourself empty first, dirty bitch.

I'm not dirty like, I stick some coke up your nose when you're coming but I'll never cut ya up on a blade…

We are all wattle
beside the Lucky Dragon Loan Office
sugar covered
                                           I only want to be with you.
Her parents came from
Somewhere Pacific.
Our train was rattled aluminium,
egg-custard bun plays sad clown.

Sun is our constant
beside multi-storey car parks
at multicultural suburbs.

Speaking as one
in easy-fit denim
beside the Hong Kong Wedding House
watching dealers outside Tang Bou Noodle Shop
we are not interesting
we are wattle.
Decorous in array, barely a mention in singular
we are the light & the allergen
we are thin gold rings
unnamed fillets
on a shaved ice seafood bed.
We are Shopping Paradise,
Gold Swan two-ply tissues
Amy Chan in concert
specials bin in the John Street Arcade
the glitter in passing hair
track pants & slippers
as explicable as a line of ibis,
their diagonal napkin-fold of sky.

This table display
of pink embroidered bras.
is a greedy lake.

On a carpet
of petty & repetitive sins
beside tea-candles, Light of Wisdom is on special.

Today it's like clouds
are writing letters home. My eyes are a cluster
of green plantains
beside the dead fire of coral trout.

Hymns should be bellowed -
give gods some ears & voice.
They will be the Saigon Blade
or that brave, snide teenage Melanesian lesbian Ocker
in a well-mixed little town.
If she ever picked
or kicked you - you'd learn.
My poem is a comma on the freeway.
I know nothing
am nothing
empty freight beds alongside the Southern Line.
Let's write
at the end of ordinary
where colours cannot blend.

Published in Southerly (Australia).

FLUNG

In an accident of clear light
naked leaves bend
to the fragile gleam of a breathless lake.

The forest floor is steaming
basking in 12° - deep mind -
the sonar of birdcalls.

Mossy sheep act less like boulders - this place
where a football field has lichen instead of grass.

Where everyone drinks Cascade Beer -
by rain-rotted roads, bottles emptied/enduring - Cascade.
Next to waterfalls & alongside elegant teardrops of granite
Cascade, Cascade
(& dead packets of Horizon 30s
beside white-spotted red toadstools).

Kangaroos - as they run away from intruders
you tend to see
only tail & arse, the landscape murmurs
to an accompaniment to drums. Clouds disperse, gouache sun. One moment. Then kids desert their homes,
collapse of cupboarded play to a chitter down the footpaths.
Canopy totters at the edge of our eyes
while an indifferent kookaburra shakes shadow from its wing.

All work is display.

Published in The Age (Australia).

MILK BEACH

Prayer is this discard basketball
washed up at the shoreline.

The poem is inside that ball,
air under pressure.

Tears require practice.

We are wrapped in poisonous bandages of sun.
As always
the cure is the punishment.
We build up and fall down
so can't be just flesh
though probably less
than the sum of our garbage.

All this beneath
a sniggering fig -
my list of sadness
is still just a sheet of paper
even my fingers keep saying
"just like this".

No fish lose sleep over Justice.
They are their own comfort, connection and cage.
Beneath the call of muezzin ferries
each basketball is beached
in its very own moment.

PERSONALS - LADY SEEKS GENT

What colours of return.

Rain is a black eye; our words are cool as granite will always
coalesce. Why did you keep
or pick me for that matter
this bent little twist of single-mother pallor with habit lines
where laugh lines could have dwelt.

Who could choose this
from a line-up of lonelies,
the pixels of despair.
                                                       My son
                                                       will be 10 next March.

My back arches like a harp
I groan and snore and toss through nights spooning
pain, dread of another morning which comes,
breasts slump into their bra like commuting shiftworkers. Every day.

We would talk over a distance
sterilised by chainsmoked horizons
irrigated in bourbon

                                                                                               happy hour with a hook
                                                                                                            toss the dross.

Beside the flattery of crows
rain falls like iodised salt
on low-fat (grey) grasses.

Who'd want more than that?
On this mushroom day near a boiled cabbage forest
with a dishrag river and muesli-bar parrots in the trees.
Mice move like regents through their siblings' decline
at the margins of this baited house.

But your hand
          with all the words tied up in the back shed
                    as we enter the lilli pilli shadow of night
our history all gone to a bonfire near the fence
your nail-bitten fingers
           touch my hair

and we are there.

PRECIPICE

A phone call comes, my best friend's cancer -
reignited.
Since firstyear highschool
the life-winds
their patterns incomprehensible,
we've always been part of the other's story.

Surgeons plan backburns,
fire trails through the viscera - extractive butchery.
But this forest will never regenerate under sun. I'm back in the desert
where death and life are inseparable, recumbent.
A killing cold, shiver in the quartz
reluctant, fat clouds.
All peaks are bleak,
                                                I don't want to go home.

Later my knees impel
to the Sacred Heart Cathedral -
its heritage lights come on waiting for the dark
but doors are locked against the chill -
(I thought you guys were always open, part of the contract).
Make my clumsy suit
to Mary at her mining town grotto
in the side yard (near the veggie garden)…
then send it on to the dunes of stone waste.
Gods and shiny minerals … your agenda, once.
                                            Icarus flew too close to the sun
                                                 the melanoma got him.

They can pay you back in peace
this least
right now.

ROADMAPS and RAIN

On that first radiant day
after a gridlock of smeared downpour
make like any foolish creature, rush out to join the air
beside forest, beside sea.

I knew the track to high dry passes
where escarpment holds the sea
like some tiny child in a tantrum.
Then a new sign deludes
with a path to nothing but the precipitous, rail line and service road.

Passed the corpse of a huge antlered buck -
a dissonance beneath eucalypt
with its somehow dainty death.
Flies were just starting a long relationship,
topography of fur over scree
vacated majesty
death telegraphed through broken horn.

What, if anything, endures after the demise of this imported beast
now resides in a place where
no species is a stranger.

Climb a not impossible slope,
droppings (probably from that deer), there's nothing
to really worry about, but that trailblazer was a
better beast, its body a warning
despite eyes that had never known premonition
(I checked). Muddy rubble
concedes to conscientious sandstone
then I was back

halfway up the ridge
in the wool of known walkways. Sitting
by this familiar medium grade for an hour beside a snakeskin.
Interstice. Roborant immobility.
Clouds jostle the impermanent blue
quiet is a snatch between birdsong.
Arrived nowhere to a state of exhausted grace.

About the Poet Les Wicks

Les Wicks grew up in the western suburbs of Sydney in a house with few books. A skinny kid with asthma, he learnt to use his mouth to get into and out of trouble. Vietnam savagely divided his family and taught him early activism. By 17 Les had his first poem accepted & was school organiser for the students' strike of 1972. He did a history degree over some years as well as a variety of unskilled and semi-skilled jobs while living in Sydney and London. In the late 70s he embarked on his first publishing exercise - Meuse - and helped set up the Poets Union. By the 80s he retrained for work as a union industrial advocate. Les is involved in publishing via Meuse Press & runs poetry workshops. His 7th book of poetry is Stories of the Feet (Five Islands, 2004).
   [Above] Photo of Les Wicks by Brian Tonkin, 2000.

I Next I Back I Exit I
Thylazine No.11 (June, 2006)

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