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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                     #10/thyla10j
THE POETRY OF RICHARD HILLMAN
Selected by Coral Hull

[Above] Photo of Richard Hillman and Adelaide rosella by Duncan Kentish, 2002.

"& I am alone, only the thunder fading
into the north to remind me, of the things he leaves behind,
the places I've yet to visit, if only in the mind."


I Moving House Is A Quick Birth I Sometimes The Beach Gets Depressed I Retribution I Dead Wood I
Dance Of The Willy-Willys I Beach Broken I Ghosts Of Nyngan Hunger I Morialta Falls I
Locust Plague At Terowie I Ground Water 5. Living Riverscape I 7. Snake Trail I 9. The Clearing I Jarinyanu Story Cycle: Kurtal Leaves Adelaide I Banality & The Archaeologist I Lizard Rock Walking Trail I Beyond Eucla I The Old HQ Holden I Beachwalk I After The Children I


Moving House Is A Quick Birth

          for Allison

That day
our tenth in eighteen years, the anticipation
seemed real - somewhere to go,
the ache of boxes, blood of scratch and cut
done in the shifting and lifting of things
we couldn't let go, houses packed
and bruised with marking pens, tide rising
always, and the hurry
because we have three children who are sick
of our adventures, but the walnut tree
is in health and is happy for you.
Mad people lend a hand, and you think
we're weird, stringing up Tibetan prayer flags
the wind keeps rolling back.
That day the air touched you. And concepts
of Should and Shouldn't grew quiet.
And for a while
birth was something which didn't relent.

Sometimes The Beach Gets Depressed

I gather in this dark place
without name, or speech
moonshadow on sand
beneath my bare feet
unmovable, as a barrage
of thought, and night
as black as skin, a brother
with his hand out, asking
for more than I can give.

Night as black as falling
into this.

Nothing moves this country.
Its shape a great nothingness
preparing for something less
to raise a single hair on my body.

Beyond my reach
the sand dunes are waves
held in dark suspension
by an unclothed stillness.

Even the water
is naked, caught
without its wind.

Stripped of pretension
a new sea mounts
the seductive horizon.

his melancholy afterglow

I wait
as hot as foreskin

for a grain of sand
to pull me back from
the brink of an inevitable
king tide - a desire
so overwhelming
it could drown me
for another two hundred years.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Retribution

The dusty land's neither good, nor bad
and the river runs when it's wet -
the barren earth's not a metaphor
and the muddy water's beyond morality
but we live in doubt with drought
or drown in unexpected downpour
cursing seasons, or fired up about a frost
the inclement temperament
and its vernacular companion surround
Nature, as if expectant country voices
were ring-barking trees or culling roos, and
salt-sucked skies bring no relief from
hot air on parched lips, the funnel-web
nights inject their venom
into your sleeping form, disturb your dreams
until there is nothing but sagging skin
over old bones and, a feeling
that there is no one left to blame
but yourself.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Dead Wood

viewing a canoe tree at the Murray-Darling Rivers junction

I never wanted to draw
this picture of lifelessness
through your eyes,
but you are seeing me
with arms around this gutted tree
as if she were my mother.

the fish has lost its smell
hanging on Boydian wire

Reeds carry spears like mourners
but there is no dancing.

Roots hang grey & shrivelled
like severed birth cords.

The cut shape of a canoe
rounded like a word
or the hollow of a woman
who has paused to give birth
on the edge of falling.

Any moment now
she will break away,
swim downstream
& look for her children.

ancient canoe tree. old woman. you tell me things. your belly hollow. looking at me. wallowing in green muddy muck. leaning down to drink. surrounded by spears. memories. sturt's camp in reeds. not far from where you lean. on your sorrow. old canoe woman you don't swim. your head bent in sadness. mourning. for children lost in water. old fella murray he just gobbled them up like little fish. old mother. you've been fishing for your children a long time. but they have not come back. perhaps that fella from the mining company. he come fishing for those children too.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Dance Of The Willy-Willys

The sun has begun to suck
upon the surface of our senses
& Shanyn wants me to stop the car
& take photographs of willy-willys
in the heat's fifty degree opera:

muddy sun-spun ballerinas
above dusty dry ground
drag red earth partners skyward
auditioning on a rough stage
where smoke twists away
from dirty factory chimneys
& sprawl into suburban distances
constructions that only exist out here
in mind's hell.

When we drive on, Shanyn reflects:
if there were brickworks in heaven
all the clouds would be castles -

but it's too damn hot to argue
&, to keep the peace
I've taken a wide angled picture
for her bedroom wall.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Beach Broken

          for Glen

I'm a swimming speck of saline flesh in a wave's
glare, paddling out beyond a last blur of playground
breakers, my body morphed into pale liquid like eyes
under glass, half-submerged in a swollen murmur
of water that is passing through & around all I will
ever be. & I watch a hushless gullet of spuming
bleach-throated anger as it scream-stretches gurgling
tonsil trails of tidal fluid towards the ambivalent
undertow of point break - a place where two rolling
white arms clench-link their gnarled hands & curl
-crush the nothingness between - but down breaking
sediments, worldly impediments whirling in the bore's
ten-fold return to whale-less shore, & up breaking
like snow-shells on clear-cut images of sand. This fibro
board snaps at an on-coming braille of waves, catches
the first crest, then peaks out to a sudden loss of gravity,
collapses as the sea-bed sucks in a breath, & I'm waxed
'n ready to break in this last clutch at stability as an ocean
spills its salty opus & scoops up my soul & I'm breaking
out, surfing the vortex of this hydro-dynamic library, my
words splashing & switching through swash-buckling
schisms of gushing Aquarius, & breaking from these
twisting tubes of childhood, these watery-thin chains
that bind our linked kiss in awkward caress, I break through.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Ghosts Of Nyngan Hunger

          for John Kinsella

The dead are still with us
lining the sides of the road
like a guard of honour
for passing ghosts.

Perhaps we are already dead.
The blur we see outside our window
simply a reflection of what we once were, or are;
another life we haven't caught up with
or, trapped in the process of catching up,
we continue to drive, moving ourselves
beyond range, leaving these things
out of reach.

It's as if by staying mobile
our wish to reach out to them
might remain constant.

It's as if such gestures
were apparitions, mirages
on the tip of a road reflecting
our desire to reach ourselves,
our own ghosts.

Everything on this landscape
is yelling at me to drive faster;
to escape the constancy,
the ordinariness,
the repetition of farmland:
the slow turning of giant sprinklers,
the rugged ruts in ploughed fields,
the circularity of silos.

The colours of sky & earth
scream at me
& smells lift as sweat
from every sun-touched acre
(refusing me excluding me repulsing me)
& the kids can't get their windows up
quick enough,
telling me to drive faster,
to get away from the rural pong
& filth & stench

& I feel the force,
the pressure to move beyond
these mounds of rolled wheat, beyond
these clusters of rounded sheep, beyond
these post-harvest fields of ash, beyond
these silent silos, these testimonials
to our hunger.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Morialta Falls

Our sun-skinned children climb
stone-cut stairs to a cave, a caped belfry
from which their wild crazy calls
bite at the apple of distance
and stretch the boundaries of tenderness

while beneath their bracken dry feet
the half-broken shell of a bush-hen's egg
resonates with the crackled rasp of their laughter.

They kick small colonies of stone into space,
watch them fall to where the convict masonry
the heavy amulets and charms of the past
have been laid across the sandy riverbed.
With accuracy each sunburnt rock will tread
water, its secret search for relief as intrepid
as forty thousand years, channelled in exile.

These sentient sun-bats know the way
back to us as surely as sonar, schoolish
wings transparent, talons which grip
every chipped and scaled face
with the stony precision of skeletal
scrub, each nerve fibre carved
with eucalyptic constellations, dark
meanings, the transference restless
beneath sleeping sand, something
we dig into with parrot eyes from
dry bush steeples, only to find
the shallow graves of fallen things,
an exposure in the absence of water,
a suddenness that offers no release
though winter flowers bloom
upon the faces of our children.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Locust Plague At Terowie

We pull into Terowie's two-pump service station
the kids still in pjs
& the dry ground covered
in lost locusts

insects
as large as hitch-hikers
get inside our car
(a rusty midnight blue Holden HQ)
& in our hair
& the kids run bare-foot
across their backs
with tiny wings sticking up
between their toes

& the woman at the counter
complains about the heat
that hasn't arrived
yet doesn't want the kids
to open the soft drink fridge
unless they know what they want

& by the time I pay for the gas
the bugs are inside the grille
& inside the vents
clutching the windshield wipers
as if they've decided to come along for the ride

& I don't blame them
for their sudden sense of direction
for wanting
to get away from the place.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Ground Water

Summer approaches with a promise of thirst,
a presence of mind bottled at the hip, the blue-capped range
rising in the West like an alternate Mecca, to be ascended
or stripped of reason: at the end of the Upper Colo Road
a lyre bird scuttles with its twin until beneath
a cross-thatch of poorly cut lantana, they disappear.
The outbreak of fencelines that has followed us
seems to have found a cure, some private act
of diminishment as the final gate falls away
and lets us through. In this tie-dyed wilderness
air mists with the illicit scent of oil burners, candles
and incense. Naked charms flop in feral cleavages
without demand. There is touch and unrestrained
movement as we are led into Eden, the unchallenged river
an unscorched sound stroking the swollen earth beside us.
In every smile there is a letting go, an idea found
in each spoken word, the utterance of nourishment
that rises up like ground water from somewhere deep inside,
or below, the torn canvas of things that have been driven
underground, and allowed to turn: a certain moistness
that we now press softly to our parched and searching lips.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

5. Living Riverscape

I've woken
from a fog of dreams
in the artists' camp
beside the river
& I can almost see
through the canvas

Beyond the tent flap
dawn's warm hand
spreads slow fingers

Outside, I cup water
to lips, nourish the pulse
inside my head

The river wind plays
on my naked skin, &
I almost feel alive
among the apprehensive dead -
dry         stump         damp         sand

Fallen trees collect at my feet
like the cold armour of angels

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

7. Snake Trail

River snakes into view
& I hear laughter curling
water round a snag

Sensing my father
              somewhere near
I take a look around

In still frame
a snared Yellow-Bellied Black Snake
lies upon the bank
head absorbed in heat
listening out for my approach, or
waiting for me to pass -
                                                       there is doubt
in the fall of a seed, an ambiguous arrival
in the snap of a twig, a footfall
that is neither friend nor foe

I tread slowly
towards my distant relative's
cold      dead      eyes

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

9. The Clearing

Skins hang from loose
lengths of wood inserted
between back to back trees

Around a fire voices
in discontinuous narrative
fix a price so low it appears
to bear no relation
to what has been done

Faces turn towards mine
& I sense the horror
in my burning eyes
bending back as a tree
to face what lies beyond
myself

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Jarinyanu Story Cycle: Kurtal Leaves Adelaide

          in memoriam, Jarinyanu David Downs
          artist: born Great Sandy Desert 1925 - died Adelaide 1995

Pale Kurtal sits thin-lipped beside me, his squatting body
balancing heart-driven veins with upraised arms, generating
grey clouds as I write, his thunderous storm rides north
& I remember watching him go, his swollen ghost heels
rising beyond my green grasp - this is Jarinyanu, this is
Kurtal as rainmaker, as street shifting cloud, as soft
shadow kicking on ahead, towards his own country.

There's a flash flood down my driveway, water swirls
around a steel lamp post, suburban light house, leaves
memories behind, images of things uprooted, & I'm
reaching for his feet, his transparent ankles large enough
to appear close when he lifts off, levitates as if cloud tripping
& I watch his five-fingered fists gripping the great white
accordion of lateral thought, a cloud grid metamorphosing
into cell bars, or the threat of heaven as another prison
but held above his head like a weight, or the bright bulb of
a question: how long before it will fall, before he will come
back to earth & reveal his map magic, stories of human
rivers flowing between waterholes, mangroves north & south.

Into the distance Kurtal carries blue rain lines, iconic bucket
for catching symbolic clouds, a cyclone of ideas waiting for
sunrays to seep around their splitting edges, bringing their
damp smell of familiality, that sense of things which return
to haunt us, but Kurtal is drifting away, taking the abundance
of Winter with him, & I am alone, only the thunder fading
into the north to remind me, of the things he leaves behind,
the places I've yet to visit, if only in the mind.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Banality & The Archaeologist

Working with bare hands on
permafrost dripping knees I
dig for old bones & cast them in
Plaster-of-Paris names for posterity -
a resurrected range of Latin offers
dignity even for those difficult-to-name
& hard-to-get-at banalities though
I can't quite make out what I'd call
a new species like Java Man or the
Qantassaurus if I had the opportunity:
would I name my new found banality
after a sponsor or a country, perhaps
something more appropriate, or colder?
My casts don't pretend to heal. I curse
the almost impenetrable layers of earth
as if they were horizontal tombstones
to house the dead, then listen to a dry-
marrow-crunch as the newly named fall
apart in my ice-hardened hands. My
skin-blistered exertion holds back
someone else's impatience. Above the
stacking sound of stepped-upon-bones
a sang-froidian song from a saraband
of the sky turns into an icy wind-pocket
& chills the dig with silence.

In the thawing academic mirror something
as immediate & brittle as a word snaps
a collector's ice-T lips into a smile &
his teeth crack away from dead nerves
as ice from the Artic shelf of a frozen skull.

Mine, I think, & squeeze the last drop
of toothless sun from my eyes. Tomorrow,
I'll remember to bring the gloves.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Totem

1.

On the kookaburra's kitchen table
there's a borrowed recipe book,
without a plot. She turns the cover back
like a garden rock, & a lizard (a small,
grey-yellow gecko with padded feet
& bulging round eyes) barks across
the ant-mapped surface of her dream,
perhaps returning to its own like an echo.
The kookaburra chuckles with a hunter's
hunger - tuckatuckatuckatuckatuckatuckal
tuckaltuckaltuckatucka - while the gecko
searches for the source of that sound
as if he'd heard his mother calling,
the bush tucker bird swoops down, grins
as she gobbles up what she has found.

2.

I offer you my lizard lips,
my reptile tongue.
I peel back my scales
& expose my breast.
But you just laugh
like a kookaburra,
swoop down upon me
leave
my blood upon the ground,
your belly full

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Lizard Rock Walking Trail

          for the children of Folland Park Kindergarten

We emerge where straight golden lines of sun emerge
on worn dirt walking trail, struggle as briefly as History
through the weed of a turnstile, and our hushed voices
sweep aside the curative melaleuca, search for things
we do not yet have the words for: there's something urban
behind us, as unforgettable as a call for bili bili ata -
our ground strokes have become as white as footsteps
on the slow blown ashes of unspoken Time. We listen

to Maa's open-ended story, to the pantomimic code beside
humpy made of fallen sticks. A tongue beats into daylight.
Our red-eyed guide stop-starts upon every black boy
and creek bed, upon every outcrop of whittled granite, and
upon our sunburnt cheeks the windless flora. He points,
"Can y'see him?" and we all turn glaze-faced towards
the crazed far ridge, snaking clay-red trails and a blue
hand tearing a hole in a sky unmade for our eyes.

we seem to be looking everywhere we're not

Yet the echo, twin and shadow, play of pure sound on ear
captures distance, and those straight golden lines wave back,
share space with the absurdly sun-split word, "coo-ee" -
the torn shifting vowel, a splinter of conscience between
silences, searches for what cannot be seen, waits
for our own voices to return, until the feral shape
of Lizard Rock looms beneath the signifying gestures
of his land: here, it's as if our small voices have awoken
something larger than sound - an enormous grey head
on the verge, rock-warm neck carved in light, blue tongue
withheld for greater discourses, while his eyes, his defiant eyes,
bask unforbidden in those straight golden lines of sun.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Beyond Eucla

I'm running in dust, drought bitten
feet over roads beyond rural time
searching for a rest, the Nullarbor
a truck stop 300 ks out of Eucla
an unfamiliar face, a mozzie net
sand flies in my eyes & the price
of water, bore or plastic bottled
the stringent smell of petrol fumes
a motel room where the vacancy sign
doesn't work
where the cook picks his nose
& the heat doesn't care
whether you win or lose

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

The Old HQ Holden

I remember red sand
on his windscreen,
how it obscured things:
that road out in front, those white lines
approaching, repeating, appearing
then disappearing, like bad jokes,
until he ran out of gas.

At the side of the road
behind the visitors' map to Mungarani
I scooped red soil
as thick as the palm of my hand
& looked towards the horizon
at the distance I would have to walk
beneath the brim of my hat.

When I tried to crank him back up
he barked with dry throat -
a bird, high up, circled
recorded our presence
like a ring on a map
marks a waterhole.

I stood beside him for shade
waiting for someone
to put us back on track
but nobody came.

Then he watched me leave
on foot
a stick figure with his thumb out
knowing I'd return to him
with my jerry-can
like an arsonist, red dirt
& fire in my eyes,
to take him home.

***

I left footprints where I had walked
behind me
but found wooden stumps & wire
with my fingertips
& a wind
not unlike a voice
carried my prints away
as if they were salt
& temporary.

Below a scaling sun
my lizard skin peeled back
the surface of a stone
& I saw bones
through the salt-drenched ribs
of leafless things.

I returned to him
paler than dead wood
with my jerry-can full.

***

I took him home
spoke about our history
our dry voyage
of things left behind -
spare wheels, blown tyres
& oil patches on the side of the road.

We had cruised the sunset country
in search of relics, artefacts
for leftover bits of old things:
useable parts, moveable scraps
things thrown out, or simply
discarded.

We brought our findings home
& piled them up on top of each other
like bodies in a cemetery -
then prayed over them
until someone came
& took them away
until we had nothing but ourselves

& our half-forgotten stories
to live with.

***

And now he's that broken down car
parked out front, rubber-less & rusted
from all those mission trips, nothing but
a stripped shell
with a speck of red sand in his ear
like an echo inside
a beached shell, a poem, a derelict house
waiting for a fire
to burn out; I can tell
by the flame in his eye
that small things have stayed too long
like kidney stones, & pain,
memories which won't go away.

***

You looked in the papers
& found that car FOR SALE
but the price tag was too high
& you said, "There's too much work to be done on it."
So, I did what had to be done.

I dragged that old car down into the back paddock
where he couldn't be seen from the road.
There, in tall grass, I poured petrol on his
peeling skin & with a match, set him alight.

I watched him burn the late afternoon
like a premature sunset, until the sky above
resembled a charred thing, black ash raining
from the apocalyptic negative of a heavenly cloud.

When narcissistic night spread
its long-legged shroud of darkness
I took my bone warmed body
home to an uncomfortable bed

where I dreamt of open roads, deserts,
the broken things between us, how much
I needed him, apologising, for not letting go
when he'd had enough

& when I woke, the following morning, I saw him
distant but present, gazing up at those hills
as if he were alive, as if he'd never left,
as if he weren't mine, in the first place.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

Beachwalk

I draw the morning landscape
around me like a towel
spread on sand

& my daughter
follows me
like a little xerox

her tiny footprints
copying mine
in miniature

shells
scalloped by toes
that hardly make a dent

in wet sand
chasing seagulls
for crumbs

she stops
as if stung
& watches

birds painting
their exile
on blue sky

& with red eyes
wrapped around
her sunburnt shoulders

I follow
her back
the way we came.

Published in Jabiluka Honey: New & Selected Poems (Bookends Books, 2003).

After The Children

Already another day and they're gone -
all that's left are the remains, the flags
and sounds that cannot follow them

but entertain an indifferent vigilance
in their absence. Their shadows fall
into slow lines of sleep, dreamers who

march on wind's command, the sea change
that welcomes strange clouds all morning,
a beach rushing back into oceanic arms.

The smallest child has left white petals
that wave at me from a ripple of sheets -
some things stay with us and do not need

to be made, undone, then made again.
In one moment the nomad thought traces
the crisp outlines of a new shore and knows

that the cliff will last a lifetime: explorers
have a sense of this, when year after year
we discover the trees where they carved

their names are truly enduring things.
Only the seductive rain is never content
to leave its mark, but must rise skyward

time after time, without truce or reason,
for these are the things they give, or take
until their wet footprints lead to silence,

those few precious moments where
everything that has been done will
light the bright hologram of hope:

that beneath this cloudy blackout sky
we'll see the horizons, small figures draped
in vertical shadows and the wizard play

of half-light, a time not lost to sudden
illness, or even death, but an imminence
in which everything flows on regardless.

Published in Southerly (Australia).

About the Poet Richard Hillman

Richard Hillman grew up in the outer western suburbs of Sydney with his mother Liz, elder brother Brett and younger brothers Shane and Daniel. When Richard left school he worked in a variety of jobs whilst completing tertiary studies at CSU (Charles Sturt University). This included lecturing at the UWS (University of Western Sydney). He moved to Adelaide with wife Allison and their three children Lachlan, Shanyn and Bronte, where he has continued his studies at Adelaide University, and Flinders University of South Australia. Richard has completed a PhD in Australian Studies at the Flinders University of South Australia, specialising in the writings of Jacques Lacan and the poetry of Francis Webb. Richard is currently Director of The SideWaLK Poets Collective Inc., and publishes books under the SideWaLK label. He is also a contributing editor for papertiger, an international CD-ROM poetry journal. Richard's career as a writer has included radio talkback shows, live internet performances, and readings at many of Australia's most well known literary venues. Richard's poetry has been published widely throughout Australia.
   [Above] Photo of Richard Hillman and Adelaide rosella by Duncan Kentish, 2002.

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Thylazine No.10 (September, 2004)

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