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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                  #10/thyla10k-rl
AUSTRALIAN POETS SERIES 10
The Poetry of Rosanna Licari
Selected by Coral Hull

[Above] Photo of Rosanna Licari by Jools Weller, 2002.


I Sea Lover I the birdman I emergency ward I Frida to Diego, 1934 I
Autumn I contemplating burrum heads I


Sea Lover

The wave rises,
a strip of light slashes the wall horizontally,
it curls, the lip offering white beads
that form a veil.

He takes it, boarding the blue water
that foams behind him
fast as a dancer’s white petticoats,
and the kelp unfurls in
dark spongy lungs.

He memorises
the interfemoral breeze
as he rolls
                in the soft
                                  whitewash.

Published in Scope (Australia).

the birdman

               he searches canyons for voices
                             inhaling landscape and
making smoke rings into clouds

               he holds to his chest

                                                      a dark bird
                             that weaves a nest
threading through his ribs
               twigs and  bark

               he sways to the drone
the peal of her song
so close to veins
                             stuttering with blood

birdman wants to fly
                                                      he jumps a stone’s throw

on rocky plains
               he catches sunsets in nets of regret
and at his side
he keeps another favourite
                             in a cell of glass
her song unfettered
clear as a moon
               his bones heave wordless
                             desires to the caged voice
                             that seeks a sky

but he places a hand on
                             weary meshwork and
strokes the dark bird
               then birdman clips
                             his feathers to the droning
                             under the whispers of parched trees.

Published in Retort Magazine (Australia).

emergency ward

tubes tubes plastic tubes
the beeping machine
people in white

                                          ghosts?

we have to stop the bleeding

                                          i put out my hand

people in white

a pulse   a pulse   there’s a pulse

i want to stop the beeping

                                          the beeping red light

tubes tubes plastic tubes
they come from me
then tubes become tentacles

                                          tentacles that float through a dark sea
                                                                      tentacles wrap around rocks

we want to stop the bleeding

i’m a spasm and
around and round  we go

through veins pulsing blood

i need to stop the beeping

a fist   i’m struck
and i fall and

                                          i’m flushed   flushed down
                                          toilet wall is smeared with shit, graffiti

i have to stop the bleeding

flushed to a circle of light

falling
i have to stop the falling

i’m flushed to a circle of light and
a voice

i have to stop

there’s a voice

i have to stop

there’s a voice

i have to stop.

Published in Social Alternatives (Australia).

Frida to Diego, 1934

from Chronicles of Desire: Fragments

capitalism capitalism
the gringos come south of the border
for tequila and sun

oh the weather, the weather
and of course the chicas --
this is our war

Diego
you can’t resist
the smell of food or
the scent of a naked woman --
she       the salty fruit of hot sands

i look away
(well    I try)

a skeleton rattles
above my bed
my dead have taken
the ghost of our child
over the dark river
to the desert of cacti

but painting sheets in blood
is my art
i dip brush into fluid
sticky with spent life

you betray
she betrays
and my body betrays me
i can barely talk or walk
the surgeon
has trimmed the ends
of my foot

i’m thinking
Diego
i have nothing to lose
the eyeless skull
speaks to me
i lick my wounds while
you lick her toes

why?
why did you have to do my sister?

and the gringos have come south of the border
for tequila and sun

oh the weather, the weather
and of course the chicas

the ancestors tear the heart from my body.

Published in Stylus Poetry Journal (Australia).

Autumn

(from Chronicles of Desire: Fragments)

The Emperor chooses by touch.
The shoulder. Silently.

No one knows
Until a concubine is missing
Then jealously licks
The ankles of the less favoured.

As I walk to his chamber
I wonder how he picks.

Is a smile, softer? Eyes brighter?
Or does he look at the leaves and thinks:
“If that one falls, it will be her.

Published in Stylus Poetry Journal (Australia).

contemplating burrum heads

in the distance figures walk along sand
looking for bait across a backdrop of water
glistening fish scales

the deep-seated silence reflects
parrot calls and neighbourly gossip:
this expanse offers all secrets

the wet desert shifts, forms, re-forms
masses of soldier crabs,
i step through these migrations
a giant among blue-cream
expanding and contracting:
marbles rolled and shaped by an invisible hand

i pick up empty pipi shells
and play them as percussion,
small pockets of water have trapped
tiny fish that dart like thoughts
and a line of rods at the water’s edge
practise patience and yield to wind.

Published in M.a.g. (USA).

About the Poet Rosanna Licari

Rosanna Licari is a Queensland poet and editor of Stylus Poetry Journal. Her interests include haiku and its related forms, as well as page and performance poetry. Her haiku has been published in The First Australian Haiku Anthology (2003), and she recently collaborated with Queensland arranger/composer, Kenny Floyd to produce Chronicles of Desire: Fragments [Singapore Mix] a poetry and music CD based on the voices of women of myth and history including Frida Kahlo, the Emperor’s Concubine, Sappho of Lesbos and Medusa, exploring the themes of love and desire. In 2004 she performed at the Singapore Arts Festival, the Brisbane Writers Festival and the Queensland Poetry Festival.
   [Above] Photo of Rosanna Licari by Jools Weller, 2002.

I Next I Back I Exit I
Thylazine No.10 (September, 2004)

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