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Thylazine: The Australian Journal of Arts, Ethics & Literature                                                                                                                                    #1/thyla1k-cl
AUSTRALIAN POETS SERIES 1
The Poetry of Cassie Lewis
Selected by Coral Hull

[Above] Photo of Cassie Lewis by Jenni Mitchell, 1999.


I High Country I Black River I Vale I Denouement I


High Country

I woke up to watchful trees, stiller than suspense, trembling.
This lake, a toy for wilderness, a call to other duties.
What would hope do to me if I couldn't stare it out?
Hear it move like washing foam, like drunken vowels.
Past the verandah, fresh snow grazing on astonished winter flowers.
I look on. At how the heart connects to things like crazy ivy
and how days are unbroken. Each turn of light, dark,
becomes itself and sleep is just another room.
Amateur theatrics leap from the cage in my chest,
but mountains subtract all parody from us.
So I choose my words, puzzled,
as if they were uneven rocks from the creek near my hands.
And I'm left with clear day,
listening for your footsteps, quiet-serious.

Black River

Fumbling home he sees tangles of chicken wire, and how he was forever clumsy, generous whilst the desert entered his words. Or the image of a girl lying under the moon. A sudden chill in his bones: he's cold, feverish and cold, this mild night. He craves relief from a flat world. From watching stones thrown from a jetty, abysmal little stones in a bottomless pool, floating downwards on some mystical arc, probably to surface again later in another country. Coming home he feels nothing. Objects sold or thrown out over years. And the people- all older. Pain is so filthy when it affects the body. Each night, he stubs himself out with sleep. And her face will move with him like fever when the sun has gone from the fields. Who is holding him now like glass, with a hospital's compassion? Black river, his second wind.

Vale

Mixed in with my sense of alteration was a conviction that
a heavy burden had been lifted from my hours. So I swam
until it got dark and the water was black like oil around me.
First time in years I've felt my body to be capable, graceful,
mine. I marvel at the structures of the fish's body. So much
is decided by one flicker down the creature's spine. Perhaps
when I say I was glad I overstate. Other than the longing
there was great pride for just having known. Closure feels like
someone's freedom even on the day you wake up to find the
trauma lying next to you like a stranger you've hardly
glimpsed before. My life is his life now inasmuch as
my myths are more alive. I can grow with my body there.
Losing his is so final. To swim without planning on a lasting embrace
from the warm-cool water takes persistance. After all,
there are other things like dunes on hard stretches. A fish
darts between my toes and the water is so much like crystal,
I can see it, see all I feel. Small colours are the life of coping waters.

Published in Heat (Australia).

Denouement

I settle into the tough elements
on my land: cold wind,
rain, slant-wise and hard.

I am visited by shadows
crossing over the fields
with their angry crops and wildflowers

struggling for prominence,
bristling over the horizon
like stubble on a man. Elsewhere,

rifling through leaves of sunlight
or standing resolute on a bank of sand,
you set up an echo as you shout my name.

But here the wind devours all outside voices;
too soon, they are consigned to memory,
disturbing my flushes of rest and waking.

My home has one room that alters
with the light. Harsh angles are softened
by the burnished sunrise, when it is still.
I'll light an oil stove through the winter.

The rain comes all day,
animals in a steady drove. On the porch,
sheltering in my coat, I summon you

from the pockets of grey air overhead.
It's as though you're talking
but the talking is within my skull.

It's as though I see you
but you're an eddy in the cloud,
like a horse that's shed its harness,
blustering, lyrical then gone.

Published in Song for the Quartet (SOUP Publications, 1997).

About the Poet Cassie Lewis

Cassie Lewis was born in Papua New Guinea in 1974. She writes poetry, reviews, essays and prose poems. She has been publishing her poems widely in Australian magazines and newspapers since 1995 and has also had work published in New Zealand, the U.K and the U.S.A. Her work can be found in back issues of Meanjin, Southerly, Otis Rush, The Age's Saturday Extra, JAAM (N.Z.), P.N. Review (U.K.), Heat and Overland. She has published a pamphlet of ten poems Song for the Quartet (SOUP Publications, Melbourne, 1997).
   [Above] Photo of Cassie Lewis by Jenni Mitchell, 1999.

I Next I Back I Exit I
Thylazine No.1 (March, 2000)

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